Shattering the Glass Podium: Successes and Setbacks of Women in Collegiate Choral Conducting

Melissa Baughman
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引用次数: 2

Abstract

The purpose of this study was to explore the status and experiences of women in collegiate choral conducting positions. Out of all collegiate choral conductors (N = 992) at institutions accredited by the National Association of Schools of Music in the United States, 68.65% (n = 681) were men and 31.35% (n = 311) were women at the time of this study; I invited the women collegiate choral conductors to serve as study participants. Ninety-six respondents completed an online survey, resulting in a response rate of 30.86%. I collected data through a researcher-designed survey. First, I asked respondents to provide demographic information and respond to Likert-type and open-ended prompts related to three domains: gaining entry into the profession, navigating the profession, and issues surrounding gender. I analyzed data through descriptive statistics and qualitative methods of assigning codes, combining codes into themes, and displaying the data. I addressed general discrepancies in the self-reported attitudes of respondents. Although women reported an overall attitude of satisfaction as choral conductors in their Likert-type responses, many respondents detailed several instances of gender discrimination and other challenges in their open-ended responses. Implications for the music profession, including specific strategies to help empower women in collegiate choral conducting settings, are discussed.
打碎玻璃讲台:女性在高校合唱指挥中的成功与挫折
本研究的目的是探讨女性在大学合唱指挥职位上的地位和经验。在本研究时,在美国国家音乐学院协会认可的机构的所有大学合唱指挥(N=992)中,68.65%(N=681)为男性,31.35%(N=311)为女性;我邀请了女大学生合唱指挥作为研究参与者。96名受访者完成了一项在线调查,回复率为30.86%。我通过研究人员设计的调查收集了数据。首先,我要求受访者提供人口统计信息,并回答与三个领域相关的Likert类型和开放式提示:进入职业、驾驭职业和围绕性别的问题。我通过描述性统计和定性方法分析数据,分配代码,将代码组合成主题,并显示数据。我解决了受访者自我报告态度的普遍差异。尽管女性在Likert类型的回答中表示,作为合唱指挥,她们总体上持满意态度,但许多受访者在开放式回答中详细描述了性别歧视和其他挑战的一些例子。讨论了对音乐职业的影响,包括在大学合唱指挥环境中帮助女性赋权的具体策略。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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