Immersive Spatial Interactivity in Sonic Arts: The Acoustic Localization Positioning System

IF 0.4 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Computer Music Journal Pub Date : 2021-06-01 DOI:10.1162/comj_a_00605

Dominik Schlienger;Victor Khashchanskiy

引用次数: 0

Abstract

Abstract The Acoustic Localization Positioning System is the outcome of several years of participatory development with musicians and artists having a stake in sonic arts, collaboratively aiming for nonobtrusive tracking and indoors positioning technology that facilitates spatial interaction and immersion. Based on previous work on application scenarios for spatial reproduction of moving sound sources and the conception of the kinaesthetic interface, a tracking system for spatially interactive sonic arts is presented here. It is an open-source implementation in the form of a stand-alone application and associated Max patches. The implementation uses off-the-shelf, ubiquitous technology. Based on the findings of tests and experiments conducted in extensive creative workshops, we show how the approach addresses several technical problems and overcomes some typical obstacles to immersion in spatially interactive applications in sonic arts.

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声学艺术中的沉浸式空间互动：声学定位系统

摘要声学定位系统是与在声学艺术中有利害关系的音乐家和艺术家多年参与式开发的成果，共同致力于非侵入式跟踪和室内定位技术，以促进空间互动和沉浸感。基于先前关于移动声源空间再现应用场景的工作和动觉界面的概念，本文提出了一种用于空间交互声音艺术的跟踪系统。它是一个独立应用程序和相关Max补丁形式的开源实现。该实现使用现成的、无处不在的技术。基于在广泛的创意研讨会上进行的测试和实验结果，我们展示了该方法如何解决几个技术问题，并克服了沉浸在声音艺术中的空间交互应用中的一些典型障碍。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Computer Music Journal 工程技术-计算机：跨学科应用

CiteScore

1.80

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： Computer Music Journal is published quarterly with an annual sound and video anthology containing curated music¹. For four decades, it has been the leading publication about computer music, concentrating fully on digital sound technology and all musical applications of computers. This makes it an essential resource for musicians, composers, scientists, engineers, computer enthusiasts, and anyone exploring the wonders of computer-generated sound. Edited by experts in the field and featuring an international advisory board of eminent computer musicians, issues typically include: In-depth articles on cutting-edge research and developments in technology, methods, and aesthetics of computer music Reports on products of interest, such as new audio and MIDI software and hardware Interviews with leading composers of computer music Announcements of and reports on conferences and courses in the United States and abroad Publication, event, and recording reviews Tutorials, letters, and editorials Numerous graphics, photographs, scores, algorithms, and other illustrations.