Präsentationen des Fremden in der tschechischen Musik zwischen Anziehung und Abstoßung. Eine Studie tschechischer Fremd- und Selbstbilder

IF 0.1 3区 艺术学 Q4 Arts and Humanities
Lenka Křupková
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引用次数: 0

Abstract

The Czechs have limited personal experience with foreign non-European cultures, people of different appearances and other religions. Apart from the not always latent xenophobic attitude towards “other” cultures, Czechs are known to have an almost paranoid fear of the decisions of larger nations. These are two complementary factors that determine the cultural profile of the Czech nation. Czech history, rich in moments and periods of the nation's failure, its humiliation and frustration, provides numerous examples serving to explain this situation. Everything foreign, new and unknown attracts an audience and at the same time repels it. This study demonstrates, using several examples from Czech music, how ambivalent the perception of “the other” can be: as something that fascinates but at the same time evokes fear and a feeling of threat. This experience with the ambivalent meaning of “the other” is surely not only characteristic of Czechs. Other nations also view “the other” as a projection wall of their desires and fantasies as well as fears. One can find similar motifs in other art works of a different provenience. In the case of small nations, however, these themes can be accentuated by the influence of particular historical situations and viewed from the perspective of established interpretations.
陌生人在捷克斯洛伐克放的音乐既性感又反感关于捷克异族及自画像的研究
捷克人对外国非欧洲文化、不同外貌和其他宗教的人的个人经验有限。除了对“其他”文化并不总是潜在的仇外态度外,捷克人对大国的决定有着近乎偏执的恐惧。这两个互为补充的因素决定了捷克民族的文化面貌。捷克的历史充满了国家失败、屈辱和挫折的时刻和时期,提供了许多例子来解释这种情况。一切外来的、新鲜的、未知的东西都吸引着观众,同时又排斥着他们。这项研究用捷克音乐中的几个例子证明了对“他者”的感知是多么矛盾:作为一种迷人的东西,同时又唤起了恐惧和威胁感。这种带有“他者”矛盾含义的经历肯定不仅仅是捷克人的特点。其他国家也将“他者”视为他们欲望、幻想和恐惧的投射墙。人们可以在不同出处的其他艺术作品中找到类似的主题。然而,就小国而言,这些主题可因特定历史局势的影响而更加突出,并可从既定解释的角度加以看待。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Studia Musicologica
Studia Musicologica Arts and Humanities-Music
CiteScore
0.10
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