On Jesse Darling

IF 0.4 4区 社会学 0 ART
H. Holmes
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引用次数: 0

Abstract

Jesse Darling, a contemporary Berlin-based artist, produces sculptures, paintings, and drawings that animate material to depict a lived experience of queerness and disability. This article highlights a recent exhibition of Darling’s as an entry point to their wide-ranging practice. Refracted through the lens of Sara Ahmed’s concept of feminist ‘willfulness’, Darling’s objects depict the body as unruly, unpredictable, and given to change, making them exciting candidates for both disability and trans studies. At a moment in contemporary art and cultural production more broadly when gender-nonconformity is signaled through an attempt to erase bodily markers of specificity, Darling insists on such specificity as the inescapability of the human experience.
论杰西·达林
杰西·达林(Jesse Darling)是一位当代柏林艺术家,他创作雕塑、绘画和素描,用生动的材料描绘酷儿和残疾的生活经历。本文重点介绍了达林最近的一次展览,作为他们广泛实践的切入点。通过萨拉·艾哈迈德女权主义“任性”概念的折射,达林的作品将身体描绘成不受约束的、不可预测的、愿意改变的,使它们成为残疾和跨性别研究的令人兴奋的候选人。在当代艺术和更广泛的文化生产中,当性别不一致性通过试图抹去特异性的身体标记来发出信号时,达林坚持认为这种特异性是人类经验的不可避免性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
2.50
自引率
0.00%
发文量
0
期刊介绍: journal of visual culture is essential reading for academics, researchers and students engaged with the visual within the fields and disciplines of: · film, media and television studies · art, design, fashion and architecture history ·visual culture ·cultural studies and critical theory · gender studies and queer studies · ethnic studies and critical race studies·philosophy and aesthetics ·photography, new media and electronic imaging ·critical sociology ·history ·geography/urban studies ·comparative literature and romance languages ·the history and philosophy of science, technology and medicine
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