In Bed with an Egyptian Princess: Herodotus on Theft, Pyramids and Conquest

IF 0.5 Q3 WOMENS STUDIES
Feminismos Pub Date : 2022-01-03 DOI:10.14198/fem.2022.39.10
Carmen Sánchez Mañas
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Abstract

Following in the footsteps of Homer, both in the Iliad and in the Odyssey, Herodotus of Halicarnassus gives women a very conspicuous presence in the only work attributed to him, known as the Histories. Usually, the women who appear in his work are directly related to prominent male characters. In this respect, daughterhood is one of the most distinct roles played by women in Herodotus’ Histories. Twelve of the women actively involved in the narrative written by the author of Halicarnassus are identified as daughters of kings, tyrants or other noblemen, both of Greek and barbarian origin. Among the available examples, in this paper we focus on three Egyptian princesses, daughters of the pharaohs Rhampsinitus, Cheops and Amasis —in reality, Apries—, because they constitute precious instances for exploring the tensions arising in parent-child relationships in the Herodotean work. We aim at determining whether these princesses are individually fulfilled as characters, despite being sexually dominated daughters by their fathers, either biological other putative. To this end, we conduct an in-depth analysis of the three passages in which they appear (Hdt. 2.121ε; 2.126; 3.1), taking into account why and under what circumstances they are sexually controlled, how they interact with their fathers and other male characters and what consequences the sexual control they are subjected to has on them. Results show that the three Egyptian princesses achieve their own fulfilment as a wife, builder and avenger, respectively. We conclude that Herodotus confers on them visibility, dignity and their own non-transferable personality.
与埃及公主同床异梦:希罗多德谈盗窃、金字塔和征服
继荷马的《伊利亚特》和《奥德赛》之后,哈利卡那索斯的希罗多德在他唯一的作品《历史》中给了女性一个非常引人注目的形象。通常,在他的作品中出现的女性都与突出的男性角色直接相关。在这方面,童年是女性在希罗多德的《历史》中扮演的最独特的角色之一。在《哈利卡那索斯》的作者所写的故事中,有12位女性被认为是希腊和蛮族的国王、暴君或其他贵族的女儿。在现有的例子中,本文将重点关注三位埃及公主,她们是法老Rhampsinitus, Cheops和Amasis的女儿-实际上是Apries -,因为她们构成了探索希罗多德作品中亲子关系紧张的宝贵实例。我们的目标是确定这些公主是否作为角色得到了个体的满足,尽管她们是父亲在性方面占主导地位的女儿,无论是生物学上的还是假定的。为此,我们对它们出现的三个段落进行了深入的分析(Hdt. 2.121ε;2.126;3.1),考虑到他们为什么和在什么情况下受到性控制,他们如何与他们的父亲和其他男性角色互动,以及他们受到的性控制对他们产生了什么后果。结果表明,三位埃及公主分别实现了作为妻子、建设者和复仇者的自我实现。我们的结论是,希罗多德赋予了他们可见性,尊严和不可转移的个性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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27
审稿时长
24 weeks
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