Interlocutoras femeninas y filosofía del amor en el Dialogo d’amore de Lodovico Domenichi

IF 0.1 0 LANGUAGE & LINGUISTICS
María Dolores Valencia
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Abstract

The XVI Century is a fundamental epoch for the introduction of the female character in the dialogic genre. In the midst of the century, a type of dialog relative to love and female beauty is spread, taking place in a freer and less elitist environment that the ones proposed in the examples by Bembo and Castiglione. This study aims to analyze Dialogo d´amore (1562) by the renowned humanist and women´s advocate Lodovico Domenichi. It is a lesser known text, but a highly representative one of the poetic antinomy physical love – spiritual love, which imbued the cultural debate of the era, hinting a more down-to-earth style than the amorous neo-platonism of Leon Hebreo. Similarly, the protagonism of the woman stands out, inusual both in her preponderance in the dialogue as much as in the application of her philosophical and poetic knowledge in the analysis of the different aspects of the theory of love.
洛多维科·多梅尼奇的爱情对话中的女性对话者和爱情哲学
十六世纪是对话类型中引入女性角色的一个基本时期。在本世纪中叶,一种与爱情和女性美有关的对话正在传播,这种对话发生在一个更自由、不那么精英化的环境中,就像Bembo和Castiglione在例子中提出的那样。本研究旨在分析著名人文主义者和妇女倡导者洛多维科·多梅尼奇的《爱的对话》(1562)。这是一个鲜为人知的文本,但却是一个极具代表性的诗意的身体之爱与精神之爱的矛盾体,它渗透了那个时代的文化辩论,暗示了一种比莱昂·赫布里奥的多情新柏拉图主义更接地气的风格。同样,这位女性的主人公主义也很突出,既体现在她在对话中的优势,也体现在她将哲学和诗歌知识应用于分析爱情理论的不同方面。
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LaborHistorico
LaborHistorico LANGUAGE & LINGUISTICS-
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