{"title":"From a Distance: Orna Ben-Dor's Holocaust Quintet","authors":"Liat Steir-Livny","doi":"10.2979/israelstudies.28.1.13","DOIUrl":null,"url":null,"abstract":"ABSTRACT:Orna Ben-Dor (1954- ) is one Israel's most prominent filmmakers and television directors. By the 2000s Ben-Dor had directed four films with Holocaust survivors as her main protagonists. The article analyzes the central themes in Ben-Dor's Holocaust-related films and explains how the director maintains a perspective of distance. Because she so often relates in film interviews to her parents' Holocaust and her sensitivity as a second-generation Holocaust survivor, one might have expected her to engage with the topic in her autobiographical documentary, released in 2009. However, as this article will show, Ben-Dor downplays the Holocaust in this film and turns the camera inward to focus on gender rather than on the hallmark themes of her previous films: PTSD of Holocaust survivors, the transgenerational transfer of trauma to the second generation and the absorption of Holocaust survivors in Israel. As a director who has played such an important part in Israel's Holocaust commemoration, Ben-Dor remains strangely reticent about her own personal Holocaust-related story.","PeriodicalId":54159,"journal":{"name":"Israel Studies","volume":"28 1","pages":"215 - 232"},"PeriodicalIF":0.7000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Israel Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.2979/israelstudies.28.1.13","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"AREA STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT:Orna Ben-Dor (1954- ) is one Israel's most prominent filmmakers and television directors. By the 2000s Ben-Dor had directed four films with Holocaust survivors as her main protagonists. The article analyzes the central themes in Ben-Dor's Holocaust-related films and explains how the director maintains a perspective of distance. Because she so often relates in film interviews to her parents' Holocaust and her sensitivity as a second-generation Holocaust survivor, one might have expected her to engage with the topic in her autobiographical documentary, released in 2009. However, as this article will show, Ben-Dor downplays the Holocaust in this film and turns the camera inward to focus on gender rather than on the hallmark themes of her previous films: PTSD of Holocaust survivors, the transgenerational transfer of trauma to the second generation and the absorption of Holocaust survivors in Israel. As a director who has played such an important part in Israel's Holocaust commemoration, Ben-Dor remains strangely reticent about her own personal Holocaust-related story.
期刊介绍:
Israel Studies presents multidisciplinary scholarship on Israeli history, politics, society, and culture. Each issue includes essays and reports on matters of broad interest reflecting diverse points of view. Temporal boundaries extend to the pre-state period, although emphasis is on the State of Israel. Due recognition is also given to events and phenomena in diaspora communities as they affect the Israeli state. It is sponsored by the Ben-Gurion Research Institute for the Study of Israel and Zionism at Ben-Gurion University of the Negev and the Schusterman Center for Israel Studies at Brandeis University, in affiliation with the Association for Israel Studies.