{"title":"Curating conflict: political violence in museums, memorials, and exhibitions","authors":"Audrey Reeves, Charlotte Heath-Kelly","doi":"10.1080/23337486.2020.1797328","DOIUrl":null,"url":null,"abstract":"Amidst the protest movements sparked by the death of George Floyd at the hand of police officers in Minneapolis in May 2020, anti-racist demonstrators have taken over prominent statues evoking peop...","PeriodicalId":37527,"journal":{"name":"Critical Military Studies","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/23337486.2020.1797328","citationCount":"10","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Military Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/23337486.2020.1797328","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 10
Abstract
Amidst the protest movements sparked by the death of George Floyd at the hand of police officers in Minneapolis in May 2020, anti-racist demonstrators have taken over prominent statues evoking peop...
期刊介绍:
Critical Military Studies provides a rigorous, innovative platform for interdisciplinary debate on the operation of military power. It encourages the interrogation and destabilization of often taken-for-granted categories related to the military, militarism and militarization. It especially welcomes original thinking on contradictions and tensions central to the ways in which military institutions and military power work, how such tensions are reproduced within different societies and geopolitical arenas, and within and beyond academic discourse. Contributions on experiences of militarization among groups and individuals, and in hitherto underexplored, perhaps even seemingly ‘non-military’ settings are also encouraged. All submitted manuscripts are subject to initial appraisal by the Editor, and, if found suitable for further consideration, to double-blind peer review by independent, anonymous expert referees. The Journal also includes a non-peer reviewed section, Encounters, showcasing multidisciplinary forms of critique such as film and photography, and engaging with policy debates and activism.