Sign and Symbolic Systems as Cultural Codes: Recognition and Interaction of Symbols

T. Bozhko
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Abstract

The purpose of the study is to reveal the patterns of pictorial coding and the formation of symbolic images and visual systems based on them in propaganda graphics during the war between russia and Ukraine. Research methods. The methodology of the research is based on semantic and structural art analysis. The scientific novelty of the research is the reflecting of the spectrum of iconic and symbolic images, which represent the accuracy of coding socio-historical events and the clarity of their fixation in visual communications; and also – detection of differentiation of standard and innovative signs and symbols. Conclusions. In the considered poster projects, the most characteristic forms of image-visual coding of information are highlighted; there are established "traditional", "innovative" and "situational" symbolic forms, and the conditions of their interaction to ensure the quality of the communicative process are defined. Thus, the campaign graphics of KNUKiM students reveals appealing to the treasure trove of already established forms of conventional signs-indexes and conventional symbols, as well as its enrichment with new symbols. Violent and rapidly changing social events and the need for their wide discussion in society lead to the formation of both new visual word images and their "word combinations" and linguistic interpretations. Simultaneously, visual symbols are updated, containing layers of information that are much larger and more meaningful than the initial interpretation of each individual symbol. At the same time, the combined use of various symbols and the leveling of the unification of visual stylistics lead to unexpected and not always expected by the authors results of the "decoding" graphic appeals. In view of the mentioned problem, it is urgent and necessary to focus the attention of scientists on the in-depth and more detailed illumination of symbols and stylistic ways of their display, which are currently being formed and spread in the information environment.
作为文化密码的符号和符号系统:符号的识别与互动
本研究的目的是揭示俄乌战争期间宣传图形中图形编码的模式以及基于这些模式的象征图像和视觉系统的形成。研究方法。研究方法基于语义和结构艺术分析。这项研究的科学新颖性在于反映了标志性和象征性图像的光谱,这些图像代表了对社会历史事件进行编码的准确性及其在视觉交流中的固定性;以及——检测标准和创新标志和符号的差异。结论。在考虑的海报项目中,突出了最具特色的图像视觉信息编码形式;有既定的“传统”、“创新”和“情境”符号形式,并确定了它们相互作用的条件,以确保交际过程的质量。因此,KNUKiM学生的竞选图展示了对传统标志索引和传统符号的宝库的吸引力,以及对新符号的丰富。暴力和快速变化的社会事件及其在社会中广泛讨论的必要性导致了新的视觉单词图像及其“单词组合”和语言解释的形成。同时,视觉符号被更新,包含比每个单独符号的初始解释更大、更有意义的信息层。同时,各种符号的组合使用和视觉文体学统一的水平化,导致了“解码”图形诉求的结果出乎作者的意料。鉴于上述问题,迫切需要和有必要将科学家的注意力集中在符号的深入和更详细的阐释及其展示的风格方式上,这些符号目前正在信息环境中形成和传播。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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