Against and beyond the Museum

IF 0.3 3区 艺术学 0 ART
Alírio Karina
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引用次数: 1

Abstract

Abstract This article considers the role of museums in contemporary and past formations of imperial knowledge and power, and the consequences of this role for the questions of accountability and restitution that have gained new prominence over the past few years. Departing from the view that matters of repatriation and restitution should privilege the terms of collection, this article instead examines the problem of colonial inheritance for museum collections as a whole, and for the museum as an institution. Further, it argues that the museum is an institutional form lacking in contemporary justification, this article proposes that the project for those who seek to ‘decolonise’ the museum must be to end the museum, and to imagine, in its place, new ways of relating to matters of memory and identity.
在博物馆的对面和外面
本文考虑了博物馆在当代和过去帝国知识和权力形成中的作用,以及这一作用对责任和归还问题的影响,这些问题在过去几年中得到了新的突出。本文不再认为遣返和归还文物的事项应优先考虑藏品的条件,而是从整体上考察博物馆藏品和博物馆作为一个机构的殖民遗产问题。此外,它认为博物馆是一种缺乏当代正当性的机构形式,本文提出,对于那些寻求“非殖民化”博物馆的人来说,这个项目必须结束博物馆,并在其位置上想象与记忆和身份问题相关的新方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Third Text
Third Text ART-
CiteScore
0.40
自引率
0.00%
发文量
39
期刊介绍: Third Text is an international scholarly journal dedicated to providing critical perspectives on art and visual culture. The journal examines the theoretical and historical ground by which the West legitimises its position as the ultimate arbiter of what is significant within this field. Established in 1987, the journal provides a forum for the discussion and (re)appraisal of theory and practice of art, art history and criticism, and the work of artists hitherto marginalised through racial, gender, religious and cultural differences. Dealing with diversity of art practices - visual arts, sculpture, installation, performance, photography, video and film.
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