Neuro-Design: How the Form and Function of the Brain Reveals Design's Delight

IF 1.2 2区 艺术学 0 ARCHITECTURE
Eve A. Edelstein Ph.D., (Neuroscience)
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引用次数: 0

Abstract

The long history of art and science that includes Egyptian, Asian, and Greek philosophers and innovators of the Renaissance, such as Leonardo Da Vinci, offers hypotheses about the neuro-anatomical substrates that serve our conscious responses to design. In the 1600s, René Descartes described a dualism between the brain and the mind and, to this day, many continue to believe that the mind cannot be studied or measured. However, over the millennia that followed Descartes ’ writing, the development of electrophysiological and imaging techniques have revealed that the brain can be considered the organ that produces the mind. Wearable, wireless, and computational techniques have developed that allow us to study the brain ’ s form (neuroanatomy) as well as its function (neurophysiology) in alert subjects, awake patients, and participants in real-world settings. With the bene fi t of such methods, long-held myths about the mind and brain can be explored using carefully controlled studies in laboratories and in real pro-jects. In studios, students and scholars of design now deploy multiple methods to track the brain ’ s and body ’ s responses as we conceive of, experience, and test design outcomes in pre-and post-occupancy studies. The brain, mind, and body may thus be considered together in a new framework that no longer compares the neurons of the brain to a hard-wired computer, but rather an integrated dynamic system that changes with the experience of design. Neuroscience offers new means to explore the in fl uence of design while planning, creating, and evaluating a space. The neuro-design process can begin with and iteratively include existing bio-medical fi ndings and use a great many neuroscienti fi c tools to measure the responses of the brain, mind, and body. Qualitative subjective, and quantitative objective, observational, inter-ventional, or biomedical metrics may explore conscious, subconscious, and unconscious reac-tions to speci fi c attributes of the physical world. Thus, we can now study many questions
《神经设计:大脑的形式和功能如何揭示设计的乐趣
艺术和科学的悠久历史,包括埃及、亚洲和希腊的哲学家和文艺复兴时期的创新者,如列奥纳多·达·芬奇,为我们对设计的有意识反应提供了神经解剖学基础的假设。在17世纪,勒内·笛卡尔描述了大脑和心灵之间的二元论,直到今天,许多人仍然认为心灵无法被研究或测量。然而,在笛卡尔写作之后的几千年里,电生理和成像技术的发展表明,大脑可以被认为是产生思维的器官。可穿戴、无线和计算技术的发展使我们能够在现实世界中研究警觉的受试者、清醒的患者和参与者的大脑形态(神经解剖学)及其功能(神经生理学)。有了这些方法的好处,在实验室和实际项目中,可以通过仔细控制的研究来探索长期存在的关于心智和大脑的神话。在工作室里,设计专业的学生和学者现在部署了多种方法来跟踪大脑和身体的反应,因为我们在入住前后的研究中构思、体验和测试设计结果。因此,大脑、大脑和身体可以被视为一个新的框架,不再将大脑的神经元比作硬连线计算机,而是一个随着设计体验而变化的集成动态系统。神经科学为探索设计在规划、创建和评估空间时的影响提供了新的手段。神经设计过程可以从现有的生物医学发现开始,并反复包括这些发现,并使用大量神经科学工具来测量大脑、大脑和身体的反应。定性主观和定量客观、观察性、常规或生物医学指标可以探索对物理世界特定属性的有意识、潜意识和无意识反应。因此,我们现在可以研究许多问题
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来源期刊
CiteScore
2.50
自引率
30.80%
发文量
24
期刊介绍: The Journal of Interior Design is a scholarly, refereed publication dedicated to issues related to the design of the interior environment. Scholarly inquiry representing the entire spectrum of interior design theory, research, education and practice is invited. Submissions are encouraged from educators, designers, anthropologists, architects, historians, psychologists, sociologists, or others interested in interior design.
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