Mimesis, Murakami and Multimedia Art: Parallel Worlds in Performance

IF 0.2 4区 艺术学 Q2 Arts and Humanities
C. Underriner
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引用次数: 1

Abstract

The artistic techniques of mimesis—the representation of reality in art—make it possible to “render the unreal familiar or the real strangely unfamiliar.” The author, a composer and intermedia artist, uses mimetic techniques in acoustic composition, video art and field recording to reimagine everyday experience, as in his multimedia piece Landscape: Home. The author analyzes passages from the novel Sputnik Sweetheart by Haruki Murakami to understand Murakami’s use of “parallel worlds” and the “reality effect.” This literary analysis aims to highlight the potential of mimetic techniques for artistic practice in sound and image, particularly in the author’s Landscape series.
模仿、村上与多媒体艺术:表演中的平行世界
模仿的艺术技巧——在艺术中对现实的再现——使得“使不真实的事物变得熟悉,或使真实的事物变得奇怪地陌生”成为可能。作者是一位作曲家和媒介艺术家,他在声学作曲、视频艺术和现场录音中使用模仿技术来重新想象日常体验,就像他的多媒体作品《风景:家》一样。本文通过分析村上春树的小说《Sputnik甜心》中的段落,来理解村上春树对“平行世界”和“现实效应”的运用。这一文学分析旨在强调模仿技术在声音和图像艺术实践中的潜力,特别是在作者的景观系列中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
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期刊介绍: Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.
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