House Body House

IF 0.1 3区艺术学 0 FILM, RADIO, TELEVISION

CAMERA OBSCURA Pub Date : 2021-09-01 DOI:10.1215/02705346-9052928

Kenneth White

引用次数: 0

Abstract

The essay describes Carolee Schneemann's residence, a stone house constructed in 1750 by Huguenot settlers on land of the Munsee Lenape people, and its central role in her life and work from the early 1960s until her death in 2019. The essay gives particular attention to Schneemann's text “Parts of a Body House” (1957–67), a series of paragraphs composed over a decade that describe a network of biomorphic structures and multimedia environments. The essay argues that “Parts of a Body House” is a “nerve codex” by which to read the artist's life and work. The essay is derived in part from remarks the author delivered at the memorial service for Schneemann at Judson Memorial Church, New York, on 3 May 2019.

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房屋

这篇文章描述了Carolee Schneemann的住所，这是一座由胡格诺派定居者于1750年在Munsee Lenape人的土地上建造的石头房子，以及从20世纪60年代初到2019年去世，它在她的生活和工作中的核心作用。这篇文章特别关注Schneemann的文本《身体之家的一部分》（1957–67），这是一系列十多年来创作的段落，描述了生物形态结构和多媒体环境的网络。文章认为，《身体之屋的一部分》是解读艺术家生活和作品的“神经密码”。这篇文章部分源于作者2019年5月3日在纽约贾德森纪念教堂为施尼曼举行的追悼会上发表的讲话。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

CAMERA OBSCURA FILM, RADIO, TELEVISION-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers into the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream. Camera Obscura continues to redefine its original statement of purpose. While remaining faithful to its feminist focus, the journal also explores feminist work in relation to race studies, postcolonial studies, and queer studies.