Transplanting Italo-Africa: The Monumento ai caduti d’Africa at Siracusa from colonial conception to Italian construction

IF 0.1 4区 文学 N/A LANGUAGE & LINGUISTICS
S. M. Farmer
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引用次数: 0

Abstract

Romano Romanelli designed the Monumento ai caduti d’Africa at Siracusa in 1938 to commemorate the Italian colonization of East Africa. The structure was originally intended for Addis Ababa, Ethiopia, but it was never constructed within the colonial capital. After the fall of the regime and the collapse of Italy's colonial program, it was eventually installed in Siracusa, a Sicilian port city once considered a springboard for the fascist colonies, in 1968. The bronze statuary and marble relief panels combine to create an artistic program that continues to valorize colonialism and debates surrounding the monument remain unresolved. This paper considers the controversial history of the Monumento ai caduti d’Africa in relation to Italo-African colonial narratives and legacies. I propose the practice of artistic intervention as a potential solution that could neutralize or counter the fascist signification of this structure.
将意大利移植到非洲:锡拉库扎的非洲纪念碑从殖民概念到意大利建筑
1938年,罗曼诺·罗曼内利在锡拉库扎设计了非洲纪念碑,以纪念意大利对东非的殖民统治。该建筑最初是为埃塞俄比亚的亚的斯亚贝巴建造的,但从未在殖民地首都内建造。在政权倒台和意大利殖民计划崩溃后,它最终于1968年安装在锡拉库萨,这是一座西西里港口城市,曾被认为是法西斯殖民地的跳板。青铜雕像和大理石浮雕板结合在一起,创造了一个继续为殖民主义估价的艺术项目,围绕纪念碑的争论仍未解决。本文将非洲纪念碑的争议历史与意大利和非洲的殖民叙事和遗产联系起来。我提出艺术干预的实践是一种潜在的解决方案,可以中和或对抗这种结构的法西斯含义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Forum Italicum
Forum Italicum Multiple-
CiteScore
0.20
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0.00%
发文量
46
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