Book review: Toy Story: How Pixar Reinvented the Animated Feature

IF 0.3 2区艺术学 0 FILM, RADIO, TELEVISION

Animation-An Interdisciplinary Journal Pub Date : 2019-11-01 DOI:10.1177/1746847719881703

William D. McCarthy

引用次数: 0

Abstract

Barnouw E (1981) The Magician and the Cinema. Oxford: Oxford University Press. Crafton D (1982) Before Mickey: The Animated Film, 1898–1928. Cambridge, MA: MIT Press. Gunning T (1989) An aesthetic of astonishment: Early film and the (in)credulous spectator. Art and Text 34, Spring: 31–45. Holliday C (2018) The Computer-Animated Film: Industry, Style and Genre. Edinburgh: Edinburgh University Press. Lutz EG (1920) Animated Cartoons: How They Are Made, Their Origin and Development. London: Chapman & Hall. Sexton M (2017) Secular Magic and the Moving Image: Mediated Forms and Modes of Reception. London: Bloomsbury. Solomon M (2010) Disappearing Tricks: Silent Film, Houdini, and the New Magic of the Twentieth Century. Urbana: University of Illinois Press. Williamson C (2011) The blow book, performance magic, and early animation: Mediating the living dead. Animation 6(2): 111–126. DOI: 10.1177/1746847711405101.

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书评:《玩具总动员:皮克斯如何重塑动画长片》

Barnouw E（1981）《魔术师与电影院》。牛津：牛津大学出版社。Crafton D（1982）《米奇之前：动画电影》，1898-1928。马萨诸塞州剑桥：麻省理工学院出版社。Gunning T（1989）一种惊奇的美学：早期电影和轻信的观众。艺术与文本34，春季：31-45。Holliday C（2018）《电脑动画电影：行业、风格和流派》。爱丁堡：爱丁堡大学出版社。Lutz EG（1920）动画漫画：它们是如何制作的，它们的起源和发展。伦敦：查普曼和霍尔。Sexton M（2017）《世俗魔法与运动图像：接受的中介形式和模式》。伦敦：布鲁姆斯伯里。所罗门·M（2010）《消失的把戏：无声电影》、《胡迪尼与二十世纪的新魔术》。厄巴纳：伊利诺伊大学出版社。Williamson C（2011）《魔法书》、《表演魔术》和早期动画：调解活死人》。动画6（2）：111–126。DOI:10.177/1746847711405101。

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来源期刊

Animation-An Interdisciplinary Journal FILM, RADIO, TELEVISION-

CiteScore

0.70

自引率

25.00%

发文量

期刊介绍： Especially since the digital shift, animation is increasingly pervasive and implemented in many ways in many disciplines. Animation: An Interdisciplinary Journal provides the first cohesive, international peer-reviewed publishing platform for animation that unites contributions from a wide range of research agendas and creative practice. The journal"s scope is very comprehensive, yet its focus is clear and simple. The journal addresses all animation made using all known (and yet to be developed) techniques - from 16th century optical devices to contemporary digital media - revealing its implications on other forms of time-based media expression past, present and future.