Picturing Miracles: Biblical Healings in the Paintings by Pieter Aertsen and Joachim Beuckelaer

IF 0.1 0 MEDIEVAL & RENAISSANCE STUDIES
B. Kaminska
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引用次数: 0

Abstract

In this essay, I analyze three sixteenth-century Netherlandish paintings of New Testament miraculous healings in the context of the contemporary understanding of miracles and approaches to disability. I argue that, in contrast to the negative perception of the infirm in the early modern literature, the images promote care for the sick as a Christian duty. Given the complicated theological status of miracles ca. 1600, scriptural healings begin to function primarily as exempla of mercy rather than as promises of supernatural intervention. In the discussed compositions, biblical stories become a model for sixteenth-century viewers through the rhetorical use of architectural backdrops, which replicate a strategy employed in the vernacular theatre and urban festivals. Finally, I show that this connection between miraculous healings and mercy is also established in the iconography of visiting the sick, in which broadly defined medical care is introduced as a manifestation of charity.
描绘奇迹:彼得·阿尔特森和约阿希姆·贝克拉尔的绘画中的圣经治愈
在这篇文章中,我在当代对奇迹的理解和对残疾的方法的背景下,分析了三幅16世纪荷兰的新约奇迹治愈画。我认为,与早期现代文学中对弱者的负面看法相反,这些形象将照顾病人视为基督徒的责任。考虑到1600年左右奇迹的复杂神学地位,圣经中的医治开始主要作为怜悯的榜样而不是作为超自然干预的承诺。在讨论的作品中,圣经故事通过建筑背景的修辞使用成为16世纪观众的典范,复制了当地戏剧和城市节日中采用的策略。最后,我展示了奇迹般的治愈和仁慈之间的联系也建立在探望病人的图像中,其中广泛定义的医疗护理被引入作为慈善的表现。
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来源期刊
Explorations in Renaissance Culture
Explorations in Renaissance Culture MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.20
自引率
0.00%
发文量
11
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