A Blind Spot? Cultural Field Perspectives on Tourism

IF 0.5 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2021-12-13 DOI:10.1080/10632921.2021.1997847

G. Helgadottir, Åsne Dahl Haugsevje, Heidi Stavrum

引用次数: 2

Abstract

Abstract This study addresses a possible mismatch between political rhetoric on creative industries and tourism relations and the experiences and expectations that artists and workers in the creative industries have of their artistic work and their sector. In semi-structured interviews, we asked if and then how creatives and developers in Norway relate to the concept of tourism and whether they see tourists or the tourism industry as a target market for cultural products. Our findings suggest that developers are likely, but creatives unlikely to see a relation between creative’s work and tourism or tourists, and the tourism industry as a target market for cultural products. Tourism is in other words a blind spot in the business practices of creative entrepreneurs.

查看原文本刊更多论文

盲点?旅游的文化场域视角

摘要本研究探讨了关于创意产业和旅游关系的政治言论与创意产业艺术家和工人对其艺术工作和行业的经验和期望之间可能存在的不匹配。在半结构化采访中，我们询问了挪威的创意人员和开发商是否以及如何与旅游业的概念联系起来，以及他们是否将游客或旅游业视为文化产品的目标市场。我们的研究结果表明，开发商很可能，但创意人员不太可能看到创意作品与旅游业或游客之间的关系，以及旅游业作为文化产品的目标市场之间的关系。换句话说，旅游业是创意企业家商业实践中的盲点。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY HUMANITIES, MULTIDISCIPLINARY-

CiteScore

1.50

自引率

0.00%

发文量

期刊介绍： How will technology change the arts world? Who owns what in the information age? How will museums survive in the future? The Journal of Arts Management, Law, and Society has supplied answers to these kinds of questions for more than twenty-five years, becoming the authoritative resource for arts policymakers and analysts, sociologists, arts and cultural administrators, educators, trustees, artists, lawyers, and citizens concerned with the performing, visual, and media arts, as well as cultural affairs. Articles, commentaries, and reviews of publications address marketing, intellectual property, arts policy, arts law, governance, and cultural production and dissemination, always from a variety of philosophical, disciplinary, and national and international perspectives.