{"title":"A snake who eats the devil’s tail: The recursivity of good and evil in the security state","authors":"N. Baker, Nathan P. Jones","doi":"10.1177/1750635219846021","DOIUrl":null,"url":null,"abstract":"The Islamic State and Mexican drug ‘cartels’ have been positioned as extreme menaces to the Western world by media and state actors despite their inability to pose existential threats to the US. These groups deftly facilitate such representations through barbaric violence which security and information sharing apparatuses uptake and amplify. The ‘good’ neoliberal security state combats and inflates these ‘evil’ threats which, in turn, empowers purveyors of security in a deregulated environment. The authors interrogate this problem through the lens of negative utopias presented in speculative fiction to understand the implications for state and society. Projected representations of evil as an existential threat present a conflicted vision of the future manipulated by political and media actors with dire consequences for democratic ideals. National security relies on a never-ending cast of foreign threats that legitimize counter-terror actions in the name of moral good. Security institutions persist primarily through the simultaneous representation of a never-ending battle of good and evil. They stand to gain from the existence of extremely violent groups, without legitimate progress towards their eradication. They also bring fantasy into reality through the recursive enactment of good versus evil.","PeriodicalId":45719,"journal":{"name":"Media War and Conflict","volume":"13 1","pages":"468 - 486"},"PeriodicalIF":1.7000,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1750635219846021","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Media War and Conflict","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/1750635219846021","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 2
Abstract
The Islamic State and Mexican drug ‘cartels’ have been positioned as extreme menaces to the Western world by media and state actors despite their inability to pose existential threats to the US. These groups deftly facilitate such representations through barbaric violence which security and information sharing apparatuses uptake and amplify. The ‘good’ neoliberal security state combats and inflates these ‘evil’ threats which, in turn, empowers purveyors of security in a deregulated environment. The authors interrogate this problem through the lens of negative utopias presented in speculative fiction to understand the implications for state and society. Projected representations of evil as an existential threat present a conflicted vision of the future manipulated by political and media actors with dire consequences for democratic ideals. National security relies on a never-ending cast of foreign threats that legitimize counter-terror actions in the name of moral good. Security institutions persist primarily through the simultaneous representation of a never-ending battle of good and evil. They stand to gain from the existence of extremely violent groups, without legitimate progress towards their eradication. They also bring fantasy into reality through the recursive enactment of good versus evil.
期刊介绍:
Media, War & Conflict is a major new international, peer-reviewed journal that maps the shifting arena of war, conflict and terrorism in an intensively and extensively mediated age. It will explore cultural, political and technological transformations in media-military relations, journalistic practices, and new media, and their impact on policy, publics, and outcomes of warfare. Media, War & Conflict is the first journal to be dedicated to this field. It will publish substantial research articles, shorter pieces, book reviews, letters and commentary, and will include an images section devoted to visual aspects of war and conflict.