Motives of Fine and Decorative Arts in the Design of Modern Accessories

O. Lavreniuk
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Abstract

Research aim is to find out the use peculiarities of motifs of fine and decorative arts in modern accessories design. The article examines the Ukrainian brands’ products with special attention to the creative experiment of designers. Research methods. Methods of analysis, synthesis, observation, comparison, analogy, and generalization were used to determine modern trends and the main areas of work of accessory designers. Iconographic, figurative, and stylistic methods were used while studying creative approaches in the accessory’s creation. Scientific novelty consists of the analysis of modern accessories with figurative content and artistic-aesthetic load. Using the example of creative experiments of Ukrainian brands OLIZ, Gunia Project, My Scarf, Sokolova, the connection of accessory design with artistic processes in the fields of fine and traditional folk art was revealed. Methods of reproduction, citation, and creation of new compositions based on the motives of one or another work, as well as the author’s compositions are considered. For the first time, the creative experiments of the mentioned Ukrainian brands were introduced into the scientific context of art-historical research. Conclusions. As a result of the research, we conclude that the trend of applying motifs of fine and decorative arts in the design of modern accessories is aimed at satisfying the aesthetic needs of the modern consumer. The target audience for manufacturers of such accessories is people of all ages – art fans and professionals who, when creating their external image, strive to go beyond the ordinary, to bring out the connection with Ukrainian or world art, both fine and decorative. In turn, in this way, plots, compositions, color combinations, and the quality of works with motifs and plots of art encourage acquaintance with the work of artists and give the creations a "second life".
现代配饰设计中的美术与装饰艺术动机
研究的目的是找出现代配饰设计中美术和装饰艺术图案的使用特点。本文考察了乌克兰品牌的产品,特别关注设计师的创造性实验。研究方法。采用分析、综合、观察、比较、类比和概括的方法来确定现代趋势和配件设计师的主要工作领域。在研究配饰的创作方法时,使用了图像、具象和风格的方法。科学新颖性包括对具有具象内容和艺术审美负载的现代配饰的分析。以乌克兰品牌OLIZ、Gunia Project、My Scarf、Sokolova的创意实验为例,揭示了配饰设计与美术和传统民间艺术领域艺术过程的联系。根据一部或另一部作品的动机,以及作者的作品,考虑复制、引用和创作新作品的方法。上述乌克兰品牌的创意实验首次被引入艺术史研究的科学语境。结论。通过研究,我们得出结论,在现代配饰设计中运用美术和装饰艺术的主题是为了满足现代消费者的审美需求。此类配件制造商的目标受众是各个年龄段的人——艺术迷和专业人士,他们在塑造自己的外部形象时,努力超越寻常,展现与乌克兰或世界艺术的联系,无论是美术还是装饰艺术。反过来,通过这种方式,情节、构图、色彩组合以及带有艺术主题和情节的作品的质量,鼓励人们熟悉艺术家的作品,并赋予创作“第二生命”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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