From Hey, you there! to Got you: re-materializing the encoding/decoding model in the computationally mediated city

IF 1.1 1区 文学 Q3 COMMUNICATION
Seija Ridell
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引用次数: 0

Abstract

ABSTRACT For European media studies, Stuart Hall’s encoding/decoding model epitomizes the transition from the mass communication research paradigm to the cultural one in the 1970s. Given its canonical status, Hall’s model offers an apt point of reference for reflecting on the challenges that cultural media studies itself faces today—after more than a decade into the turn to materiality in social theory. My suggestion is that the pervasively computed contemporary city provides a strategic context for media scholars in discussing the theoretical relevance of the encoding/decoding model, as well as semiotic models more generally, in terms of the ongoing paradigm shift.
来自嘿,你在那里!让你明白:在以计算为媒介的城市中重新实现编码/解码模型
摘要对于欧洲媒体研究而言,斯图尔特·霍尔的编码/解码模式是20世纪70年代大众传播研究范式向文化传播研究范式转变的缩影。鉴于其规范地位,霍尔的模型为反思文化媒体研究本身在社会理论转向物质性十多年后所面临的挑战提供了一个恰当的参考点。我的建议是,普遍计算的当代城市为媒体学者提供了一个战略背景,以讨论编码/解码模型的理论相关性,以及更广泛的符号学模型,就正在进行的范式转变而言。
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来源期刊
CiteScore
3.10
自引率
10.50%
发文量
32
期刊介绍: Communication and Critical/Cultural Studies (CC/CS) is a peer-reviewed publication of the National Communication Association. CC/CS publishes original scholarship that situates culture as a site of struggle and communication as an enactment and discipline of power. The journal features critical inquiry that cuts across academic and theoretical boundaries. CC/CS welcomes a variety of methods including textual, discourse, and rhetorical analyses alongside auto/ethnographic, narrative, and poetic inquiry.
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