Blurred Lines in Allegations of Musical Intertextuality: A Response to Orosz

IF 0.6 0 MUSIC
Trevor de Clercq, Deborah Wagnon
{"title":"Blurred Lines in Allegations of Musical Intertextuality: A Response to Orosz","authors":"Trevor de Clercq, Deborah Wagnon","doi":"10.18061/emr.v17i1.9168","DOIUrl":null,"url":null,"abstract":"This commentary responds to Orosz’s recent EMR article, which presents research on the accuracy of user-generated information on the whosampled.com website. In general, we find Orosz’s main conclusions—that the accuracy of an entry tends to relate to the type of sample (direct or interpolated), how distinct the sample is, and the style of music—are convincing and well-supported by examples. That said, we believe Orosz’s ultimate appraisal of the web site as an invaluable resource to be contingent on the user. From the viewpoint of a music theorist such as Orosz, the web site may indeed be a beneficial resource. But for other users, especially students aspiring to create popular music, a lack of education about the legal issues surrounding the web site may foster a problematic perspective on music sampling.","PeriodicalId":44128,"journal":{"name":"Empirical Musicology Review","volume":" ","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2023-08-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Empirical Musicology Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18061/emr.v17i1.9168","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0

Abstract

This commentary responds to Orosz’s recent EMR article, which presents research on the accuracy of user-generated information on the whosampled.com website. In general, we find Orosz’s main conclusions—that the accuracy of an entry tends to relate to the type of sample (direct or interpolated), how distinct the sample is, and the style of music—are convincing and well-supported by examples. That said, we believe Orosz’s ultimate appraisal of the web site as an invaluable resource to be contingent on the user. From the viewpoint of a music theorist such as Orosz, the web site may indeed be a beneficial resource. But for other users, especially students aspiring to create popular music, a lack of education about the legal issues surrounding the web site may foster a problematic perspective on music sampling.
音乐互文性指控中的模糊界限:对奥罗什的回应
这篇评论回应了Orosz最近的电子病历文章,该文章介绍了对whosampled.com网站上用户生成信息准确性的研究。总的来说,我们发现Orosz的主要结论——条目的准确性往往与样本的类型(直接或插值)、样本的不同程度以及音乐风格有关——是令人信服的,并得到了很好的例子支持。也就是说,我们相信Orosz对网站的最终评价是一种宝贵的资源,取决于用户。从Orosz这样的音乐理论家的角度来看,这个网站可能确实是一个有益的资源。但对于其他用户,尤其是有志于创作流行音乐的学生来说,缺乏对网站法律问题的教育可能会培养他们对音乐采样的看法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
审稿时长
19 weeks
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信