The Byzantine Icon of the Virgin in the Church of the Blachernae: Michael Psellos on the Problem of Miraculous Timing

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
Paroma Chatterjee
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引用次数: 0

Abstract

This article looks closely at the report of a miracle that occurred in eleventh-century Constantinople in which the veil covering an icon of the Theotokos (Virgin) at the Blachernae church lifted itself miraculously. The report, scripted by the Byzantine polymath Michael Psellos, focuses in intriguing ways on the actions and nonactions of the veil when the icon presided over a judicial trial. The article contends that Psellos insists on the theme of timing (with regard to the lifting and otherwise of the veil) and the Blachernae icon's role in determining a critical, decisive moment in the arbitration of human affairs. This emphasis, in turn, bespeaks a broader concern over the timing of sacred icons during significant moments in Byzantine history as understood by contemporary chroniclers: namely, their failure to act in appropriate ways at critical moments when the empire itself was at stake.
Blachernae教堂中的拜占庭圣母像:Michael Psellos谈神奇的时机问题
这篇文章仔细观察了11世纪君士坦丁堡发生的一个奇迹的报道,在这个奇迹中,布拉彻纳教堂的圣母玛利亚的面纱奇迹般地升起。该报告由拜占庭博学家迈克尔·普塞洛斯撰写,以有趣的方式关注这位偶像主持司法审判时面纱的行为和不行为。文章认为,Psellos坚持时间的主题(关于面纱的揭开和其他方面),以及Blachernae偶像在决定人类事务仲裁的关键决定性时刻中的作用。这种强调反过来又表明了对拜占庭历史上重要时刻圣像的时间安排的更广泛关注,正如当代编年史家所理解的那样:即在帝国自身处于危险之中的关键时刻,圣像未能以适当的方式行事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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