{"title":"Imagining Afrodescendance and the African Diaspora in Spain: Re-/Decentering Belonging in Literature, Photography, and Film","authors":"Julia Borst","doi":"10.2979/reseafrilite.52.2.10","DOIUrl":null,"url":null,"abstract":"ABSTRACT:In recent years, an increasing number of African and Afrodescendant artists in Spain have been speaking from an in-between space defined by the experience of being perceived as the “racialized Other.” Their work is characterized by a political commitment and an aim to provide visibility to their communities and (re)value their African heritage. From a cultural studies and discourse analysis perspective, I explore three diverse examples, poems by Yeison García López, a photobook by Rubén H. Bermúdez, and a documentary by Sergio Aparicio, that all imagine Afrodescendance as a shared narrative and empowering moment relating Africa and her diaspora. In their works, García López, Bermúdez, and Aparicio conceptualize Afrodescendance as a powerful source of belonging. Relating to the multitude of African/Afrodiasporic realities, they offer a decentered space of identification that enables the subject to embrace (new) networks of solidarity and, through active self-positioning, transcend an experience of marginalization characteristic of her/his diasporic condition.","PeriodicalId":21021,"journal":{"name":"Research in African Literatures","volume":"52 1","pages":"168 - 197"},"PeriodicalIF":0.3000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Research in African Literatures","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/reseafrilite.52.2.10","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN","Score":null,"Total":0}
引用次数: 1
Abstract
ABSTRACT:In recent years, an increasing number of African and Afrodescendant artists in Spain have been speaking from an in-between space defined by the experience of being perceived as the “racialized Other.” Their work is characterized by a political commitment and an aim to provide visibility to their communities and (re)value their African heritage. From a cultural studies and discourse analysis perspective, I explore three diverse examples, poems by Yeison García López, a photobook by Rubén H. Bermúdez, and a documentary by Sergio Aparicio, that all imagine Afrodescendance as a shared narrative and empowering moment relating Africa and her diaspora. In their works, García López, Bermúdez, and Aparicio conceptualize Afrodescendance as a powerful source of belonging. Relating to the multitude of African/Afrodiasporic realities, they offer a decentered space of identification that enables the subject to embrace (new) networks of solidarity and, through active self-positioning, transcend an experience of marginalization characteristic of her/his diasporic condition.
期刊介绍:
Founded in 1970, Research in African Literatures is the premier journal of African literary studies worldwide and provides a forum in English for research on the oral and written literatures of Africa, as well as information on African publishing, announcements of importance to Africanists, and notes and queries of literary interest. Reviews of current scholarly books are included in every issue, often presented as review essays, and a forum offers readers the opportunity to respond to issues raised in articles and book reviews.