“First Ones to Close and Last Ones to Re-Open”

IF 0.2 0 MUSIC

Journal of World Popular Music Pub Date : 2022-06-22 DOI:10.1558/jwpm.23354

Robert Kuchar, Maxine Frey, Julia Gooß, T. Mertens

引用次数: 0

Abstract

During the initial phase of the pandemic in the spring of 2020, music venues and clubs were the first to close—and often the last to re-open. Based on knowledge about music venues and club culture from the pre-COVID-19 era and data collected among club owners, clubbers, venue associations and cultural policy in Germany, this article encompasses a variety of perspectives regarding the situation of live music venues and clubs during the pandemic. Firstly, it analyses, from a German perspective, the club-related developments of the COVID-19 crisis from the first lockdown in March 2020 to the spring of 2021. Secondly, it considers the effect of “loss” among audiences and, thirdly, the discourse about cultural policy and emergency funds for music clubs and live music culture in Germany.

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“第一个关闭，最后一个重新打开”

在2020年春季疫情的最初阶段，音乐场所和俱乐部是第一个关闭的，通常也是最后一个重新开放的。本文基于新冠肺炎疫情前对音乐场所和俱乐部文化的了解，以及在德国俱乐部所有者、俱乐部会员、场地协会和文化政策中收集的数据，涵盖了关于疫情期间现场音乐场地和俱乐部状况的各种观点。首先，它从德国的角度分析了从2020年3月第一次封锁到2021年春季新冠肺炎危机的俱乐部相关发展。其次，它考虑了“损失”在观众中的影响，第三，讨论了德国音乐俱乐部和现场音乐文化的文化政策和应急资金。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Journal of World Popular Music MUSIC-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： Journal of World Popular Music is a peer-reviewed academic journal that publishes research and scholarship on recent issues and debates surrounding international popular musics, also known as World Music, Global Pop, World Beat or, more recently, World Music 2.0. The journal provides a forum to explore the manifestations and impacts of post-globalizing trends, processes, and dynamics surrounding these musics today. It adopts an open-minded perspective, including in its scope any local popularized musics of the world, commercially available music of non-Western origin, musics of ethnic minorities, and contemporary fusions or collaborations with local ‘traditional’ or ‘roots’ musics with Western pop and rock musics. Placing specific emphasis on contemporary, interdisciplinary, and international perspectives, the journal’s special features include empirical research and scholarship into the global creative and music industries, the participants of World Music, the musics themselves and their representations in all media forms today, among other relevant themes and issues; alongside explorations of recent ideas and perspectives from popular music, ethnomusicology, anthropology, musicology, communication, media and cultural studies, sociology, geography, art and museum studies, and other fields with a scholarly focus on World Music. The journal also features special, guest-edited issues that bring together contributions under a unifying theme or geographical area.