{"title":"The vast and omnivorous cloud","authors":"Thomas M. Stuart","doi":"10.1386/HOST.9.2.151_2","DOIUrl":null,"url":null,"abstract":"Although it seems to promise an immaterial, unmediated, almost supernatural collapse of space at the user’s convenience, the cloud is not a solely spectral space. This introduction examines the cloud as a material object, a network of physical networks. It argues that inherent\n in the cloud’s nature as an internetwork is an excess, an overwhelming capacity to connect, reorganize and integrate. The physical nature and user experience of the Internet presents an uncontrolled, networked mediation of our personal lives, our history, our physical media and our orientation\n to the increasingly digital world. Examining popular digital horror, such as Slender Man, The Dionaea House (2006) and Kris Straub’s Ichor Falls (2009), alongside the articles collected in this special issue, this introduction argues that digital horror anxiously rehearses the cloud’s\n voracious capacity to incorporate that which should be left alone.","PeriodicalId":41545,"journal":{"name":"Horror Studies","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/HOST.9.2.151_2","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Horror Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/HOST.9.2.151_2","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
Although it seems to promise an immaterial, unmediated, almost supernatural collapse of space at the user’s convenience, the cloud is not a solely spectral space. This introduction examines the cloud as a material object, a network of physical networks. It argues that inherent
in the cloud’s nature as an internetwork is an excess, an overwhelming capacity to connect, reorganize and integrate. The physical nature and user experience of the Internet presents an uncontrolled, networked mediation of our personal lives, our history, our physical media and our orientation
to the increasingly digital world. Examining popular digital horror, such as Slender Man, The Dionaea House (2006) and Kris Straub’s Ichor Falls (2009), alongside the articles collected in this special issue, this introduction argues that digital horror anxiously rehearses the cloud’s
voracious capacity to incorporate that which should be left alone.