The vast and omnivorous cloud

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Thomas M. Stuart
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引用次数: 0

Abstract

Although it seems to promise an immaterial, unmediated, almost supernatural collapse of space at the user’s convenience, the cloud is not a solely spectral space. This introduction examines the cloud as a material object, a network of physical networks. It argues that inherent in the cloud’s nature as an internetwork is an excess, an overwhelming capacity to connect, reorganize and integrate. The physical nature and user experience of the Internet presents an uncontrolled, networked mediation of our personal lives, our history, our physical media and our orientation to the increasingly digital world. Examining popular digital horror, such as Slender Man, The Dionaea House (2006) and Kris Straub’s Ichor Falls (2009), alongside the articles collected in this special issue, this introduction argues that digital horror anxiously rehearses the cloud’s voracious capacity to incorporate that which should be left alone.
浩瀚而杂食性的云
尽管它似乎承诺在用户方便的时候会出现一种非物质的、未经中介的、几乎是超自然的空间崩溃,但云并不是一个纯粹的光谱空间。这篇引言将云视为一个物质对象,一个物理网络网络。它认为,云作为互联网的本质是一种过度的、压倒性的连接、重组和集成能力。互联网的物理性质和用户体验为我们的个人生活、我们的历史、我们的物理媒体以及我们对日益数字化的世界的定位提供了一种不受控制的网络中介。通过研究流行的数字恐怖,如《瘦人》、《酒神之家》(2006年)和克里斯·斯特劳布的《伊科尔瀑布》(2009年),以及本期特刊中收集的文章,这篇引言认为,数字恐怖焦虑地排练着云的贪婪能力,以融入本应独处的东西。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Horror Studies
Horror Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.50
自引率
0.00%
发文量
9
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