La France, l’Islam et la loi de 1905 Genèse coloniale d’un poncif : l’Incompatibilité

IF 0.2 4区 文学 0 LITERATURE, ROMANCE
R. Achi
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引用次数: 0

Abstract

Abstract In the French collective imagination, Islam is the object of a triple representation. This religion is said to be the last to have been established on French territory through migratory flows from the former colonial empire, the most unsuited to the secularized context of French society, and the most alien to the French law of worship resulting from the 1905 law on the separation of Church and State. This article proposes to go beyond this representation and to put it into historical perspective. More precisely, it aims to deconstruct it, particularly from the point of view of Algeria, by looking back at the colonial genesis of a cliché that has undoubtedly left its mark: the impossibility of placing Islam under the liberal auspices of the French system of cults because of a presumed incompatibility, behind which there loomed above all the fear that Muslims would use it in a roundabout, anti-colonial manner. In return, some of them proved to be the guardians of this right in the face of structural intrusions of the state in Muslim affairs.
法国,伊斯兰教和1905年的法律poncif的殖民起源:不相容
摘要在法国人的集体想象中,伊斯兰教是三重表征的对象。据说,这种宗教是通过前殖民帝国的移民流在法国领土上建立的最后一种宗教,最不适合法国社会的世俗化背景,也最不符合1905年政教分离法所产生的法国崇拜法。本文建议超越这种表述,并将其置于历史的视野中。更确切地说,它的目的是解构伊斯兰教,特别是从阿尔及利亚的角度来看,回顾一句毫无疑问留下了印记的陈词滥调的殖民起源:由于假定的不相容性,不可能将伊斯兰教置于法国邪教体系的自由主持之下,在这背后,最重要的是担心穆斯林会拐弯抹角地使用伊斯兰教,反殖民的方式。作为回报,面对国家在穆斯林事务中的结构性入侵,他们中的一些人被证明是这项权利的守护者。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
43
期刊介绍: An established journal of reference inviting all critical approaches on the latest debates and issues in the field, Contemporary French & Francophone Studies (formerly known as SITES) provides a forum not only for academics, but for novelists, poets, artists, journalists, and filmmakers as well. In addition to its focus on French and Francophone studies, one of the journal"s primary objectives is to reflect the interdisciplinary direction taken by the field and by the humanities and the arts in general. CF&FS is published five times per year, with four issues devoted to particular themes, and a fifth issue, “The Open Issue” welcoming non-thematic contributions.
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