Menegosiasi Otentisitas: Kancah Musik Independen Indonesia dalam Konteks Komodifikasi oleh Perusahaan Rokok

Adam Bagaskara
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引用次数: 0

Abstract

0 0 1 120 685 unpad 5 1 804 14.0 96 Normal 0 false false false EN-US JA X-NONE Big Businesses’ intrusion into the Indonesian independent music scene does not harm the authenticity of the independent musicians’s wlrks as long as creative autonomy still can be maintained. It is important to maintain creative autonomy to make sure that songs produced by these independent musicians remain political and reflective—represent the quality of a high culture. The commodification of Indonesian independent music scene by tobacco companies is an interesting phenomena to be explored because it condraticts the ideology of independent music scene—that is the Do it Yourself (DIY) attitude. The scene actors within the scene compromise the presence of sponsors because they are able to fulfill the scene’s material needs. This lets what Hesmondhalgh calls cultural commodification possible.
验证条件:在烟草公司的合作下,印尼独立音乐舞台
0 0 1 120 685 unpad 5 1 804 14.0 96 Normal 0 false false EN-US JA X-NONE Big Businesses入侵印尼独立音乐界,只要仍能保持创作自主性,就不会损害独立音乐人作品的真实性。重要的是要保持创作的自主权,以确保这些独立音乐家创作的歌曲保持政治性和反思性,代表一种高级文化的品质。烟草公司将印尼独立音乐场景商品化是一个值得探索的有趣现象,因为它反映了独立音乐场景的意识形态——即DIY态度。场景中的场景演员会妥协赞助商的存在,因为他们能够满足场景的素材需求。这使得赫斯蒙达尔所说的文化商品化成为可能。
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