L’UNESCO e la ‘democratizzazione della cultura’. Siti archeologici nel centro antico di Napoli tra accessibilità e fruizione inclusiva

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Abstract

The ancient city center of Naples, UNESCO heritage site since 1995, constitutes a complex palimpsest, in which inhabitants and tourists coexist. It is the result of numerous ancient and modern overwriting, vitiated by a fleeting distinction between the public and private dimensions, by tampering and abuses, which conditions the methods of conservation and use of archaeological sites which in many cases are inaccessible, forbidden, hidden by other constructions. The proposed contribution, highlighting the reasons that led the ancient center of Naples to its inclusion in the world heritage list, intends to highlight how international recognition has facilitated the inclusive policies of built heritage with reference to archaeological sites. This also in the light of a process of 'democratization of culture', supported in the most recent UNESCO directives, which has contributed to expressing criticalities and potentialities and which looks at the restoration of archaeological evidence as a tool for physical, sensorial, and cultural accessibility.
联合国教科文组织和“文化民主化”。位于那不勒斯古城中心的考古遗址,在可达性和包容性水果之间
自1995年以来,那不勒斯古城中心被联合国教科文组织列为世界遗产,构成了一个复杂的重写本,居民和游客共存。它是无数古代和现代覆盖的结果,由于公共和私人层面之间短暂的区别,由于篡改和滥用,这些都限制了考古遗址的保护和使用方法,这些考古遗址在许多情况下是无法进入的,禁止的,被其他建筑所隐藏。提议的贡献突出了导致那不勒斯古代中心被列入世界遗产名录的原因,旨在突出国际认可如何促进了与考古遗址相关的建筑遗产的包容性政策。这也是鉴于“文化民主化”的进程,在最近的联合国教科文组织指令的支持下,这有助于表达批判性和潜力,并将考古证据的恢复视为物理,感官和文化可及性的工具。
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