Образ восприятия эвенков в художественной этнографии китайских писателей (на материале творчества Ужерту)

Дэн Голун
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Abstract

The Evenki are a small ethnic group living in Russia and China, which has preserved its traditional culture and rituals. The “Evenk theme” has become a significant phenomenon in modern Chinese literature and has contributed to ethnographic studies of Evenk culture. The relevance of the study is due to the interest of modern literary criticism in various artistic projections of imagological methodology through the prism of ethnic cultures, as well as the attention of modern Chinese writers to the life of small nationalities. The aim of the study was the imagological analysis of the image of the self-perception of the Evenki in the artistic ethnography of the Evenk writer Uzhertu. The research is based on the methodological developments in the field of artistic ethnography, as well as imagological studies of cultural images and artistic images of perception in literature. The principle of attracting and using ethnographic material is based on the works by Russian ethnographers. During the research, the stories of Uzhertu were analyzed. The image of the Evenk in his works is given from the point of view of self-perception. At the same time, it is emphasized that despite the positive qualities, the Evenk nation is weak and small in number, dissolving in the Han culture under the influence of globalization, modernization, and developing economy. As a representative of an ancient ethnos, faced with the impact of modern civilization, with each new stage of creativity, Uzhertu became more and more aware of his responsibility to his people, trying to fix and preserve its unique culture in an artistic form. In the “Evenk” works by Uzhertu, the main typological techniques of artistic ethnography were captured: the creation of images of perception of a foreign culture (Han) and images of perception, the imprinting of traditional religious ideas and a mythological picture of the world, a description of household and trade customs and rituals. Uzhertu sadly records the processes of enveloping the Evenks, their dissolution in the Han culture and everyday life.
中国作家民族志中对埃文克的看法
埃文基人是生活在俄罗斯和中国的一个小民族,他们保留了自己的传统文化和仪式。“鄂温克主题”已成为中国现代文学中的一个重要现象,并为鄂温克文化的民族志研究做出了贡献。这项研究的相关性是由于现代文学批评对通过民族文化棱镜对意象方法论的各种艺术投影的兴趣,以及中国现代作家对小民族生活的关注。本研究的目的是对埃文克作家乌泽尔图的艺术民族志中埃文克人的自我感知形象进行意象学分析。该研究基于艺术民族志领域的方法论发展,以及对文学中文化意象和艺术感知意象的意象学研究。吸引和使用民族志材料的原则是基于俄罗斯民族志学家的作品。在研究过程中,对乌哲图的故事进行了分析。埃文克在其作品中的形象是从自我感知的角度给出的。同时,强调鄂温克族虽然具有积极的品质,但在全球化、现代化和经济发展的影响下,鄂温克族是一个弱小的民族,融入了汉文化。作为一个古老民族的代表,面对现代文明的冲击,随着创造力的每一个新阶段,乌泽尔图越来越意识到自己对人民的责任,试图以艺术的形式固定和保存其独特的文化,艺术民族志的主要类型学技术被捕捉到:对外来文化(汉族)的感知图像和感知图像的创造,传统宗教思想和世界神话图景的印记,对家庭和贸易习俗和仪式的描述。乌哲图悲伤地记录了包围鄂温克族的过程,鄂温克族在汉族文化和日常生活中的解体。
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