Pornoterrorism

IF 0.9 4区社会学 Q2 SOCIAL SCIENCES, INTERDISCIPLINARY

Glq-A Journal of Lesbian and Gay Studies Pub Date : 2022-10-01 DOI:10.1215/10642684-9991369

J. Tyburczy

引用次数: 0

Abstract

Abstract:Pornoterrorism is a form of mixed-media performance art in the Americas that combines postpornographic and transfeminist practices with political commentary often directed at the intersection of sex and terror. Through interviews with artists in Mexico City and visual and performance analysis, this article explores the short but potent history of pornoterrorism in Mexico, unpacking the genre and specifically examining why underground artists, formerly known as pornoterrorists, decided to relinquish certain aesthetic choices when confronted with the increasing violence and precarity of visual culture and everyday life throughout Mexico. Thus, while focused on Mexico and more specifically Mexico City, this article poses and seeks to answer a larger question on queer and transfeminist aesthetics and world making, namely, whether dissident art forms can lose their ability to subvert in the contexts of their changing geopolitical milieus.

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摘要:色情恐怖主义是美国的一种混合媒介行为艺术形式，它将后色情和跨性别女权主义实践与政治评论结合在一起，通常针对性与恐怖的交叉点。本文透过对墨西哥城艺术家的访谈，以及视觉与行为分析，探索墨西哥色情恐怖主义虽短但却极具影响力的历史，剖析这一类型，并特别检视为何地下艺术家(以前称为色情恐怖分子)在面对墨西哥各地日益增加的暴力与视觉文化与日常生活的不稳定性时，决定放弃某些美学选择。因此，虽然本文关注墨西哥，尤其是墨西哥城，但本文提出并试图回答一个更大的问题，即关于酷儿和跨性别女性主义美学和世界制造的问题，即不同的艺术形式是否会在不断变化的地缘政治环境中失去颠覆性的能力。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Glq-A Journal of Lesbian and Gay Studies SOCIAL SCIENCES, INTERDISCIPLINARY-

CiteScore

1.10

自引率

0.00%

发文量

期刊介绍： Providing a much-needed forum for interdisciplinary discussion, GLQ publishes scholarship, criticism, and commentary in areas as diverse as law, science studies, religion, political science, and literary studies. Its aim is to offer queer perspectives on all issues touching on sex and sexuality. In an effort to achieve the widest possible historical, geographic, and cultural scope, GLQ particularly seeks out new research into historical periods before the twentieth century, into non-Anglophone cultures, and into the experience of those who have been marginalized by race, ethnicity, age, social class, body morphology, or sexual practice.