Cherokee Missed: Indigenous Influence and Natural Metaphysics in the Music of Jimi Hendrix

IF 1.3 3区 艺术学 0 MUSIC
M. Crawford
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引用次数: 0

Abstract

ABSTRACT This paper shows that native culture and mythology is a more pervasive influence in the music of Jimi Hendrix than has been hitherto appreciated, and also fully explores the extent to which natural imagery features in both Hendrix’s song writing and in his instrumental innovations. It argues that indigenous influences and natural metaphysics are crucial to understanding the meaning and effectiveness of Hendrix’s songs; his transcendence of the black-white binary and the rigid musical categories that confined so many of his contemporaries; and his contributions to the evolution of music.
切罗基人的错失:吉米·亨德里克斯音乐中的本土影响与自然形而上学
摘要本文表明,本土文化和神话在吉米·亨德里克斯音乐中的影响比以往任何时候都要普遍,并充分探讨了自然意象在亨德里克斯歌曲创作和乐器创新中的作用。它认为,本土影响和自然形而上学对于理解亨德里克斯歌曲的意义和效果至关重要;他超越了黑人和白人的二元对立,以及限制了许多同时代人的僵化音乐类别;以及他对音乐发展的贡献。
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来源期刊
CiteScore
1.10
自引率
0.00%
发文量
33
期刊介绍: Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.
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