Digitalization in the field of music education: analysis of students – future music teachers and music educators

Vladimir V. Dubrovsky, Irina V. Efremova, Larisa A. Pidzhoyan
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Abstract

Introduction. Over the past decade, teacher-musicians have been intensively mastering the didactic functions of the digital space and digital technologies. However, the demonstration of successful practices for the use of digital resources in music education is not an indicator of the widespread use of these practices. The purpose of this article is to analyze the factors influencing the application of musical pedagogical technologies in music education. Materials and methods. 78 respondents took part in the survey and interviews: 4th-5th year students and teachers of Bunin Yelets State University (Russian Federation), teachers of additional education, music directors, music teachers. When studying the respondents' ideas about the factors influencing the use of music and computer technologies in music education, the level of education and teaching experience of music teachers were taken into account. To study the experience and ideas of respondents about the features of the digitalization of music education, a questionnaire was developed, consisting of 3 blocks: "Motivation and competence", "Support", "Material and technical and digital environment". The Kruskal-Wallis test was used as a method of mathematical statistics. Results. The most developed digital competence in the narrow professional sense is among teachers of higher education (63.7% have a high or above average level), students (57.2%), music teachers (32.4%) and teachers of additional education (19%), the least developed – among music directors (7.7%). The motivational potential is highest among teachers of higher education (90.9% have a high and above average level), students (52.4%), music teachers (37.8%) and teachers of additional education (26.6%). Music-computer technologies are used most intensively in the educational process by music teachers with experience from 3 to 20 years (48.4%). Educational and institutional support for the digital transformation of music education is focused mainly on higher education teachers and music teachers. Availability of equipment is assessed at a high level in universities (100%), and at an average level in schools (61.1%). The largest deficit is observed in the field of preschool education (low level – 1 5.4%, level below average – 84.6%). Scientific novelty. The features of the digital transformation of music education are empirically studied in the context of the factors of the level of education and experience of music teachers. Practical significance. The results of the study can be used in the development of programs for higher education disciplines and additional professional training programs for teachers on the use of music -computer technologies in the educational process.
音乐教育领域的数字化:学生分析——未来的音乐教师和音乐教育者
介绍在过去的十年里,音乐教师一直在深入掌握数字空间和数字技术的教学功能。然而,在音乐教育中使用数字资源的成功实践并不是这些实践广泛使用的指标。本文旨在分析影响音乐教学技术在音乐教育中应用的因素。材料和方法。78名受访者参加了调查和访谈:布宁-叶列茨国立大学(俄罗斯联邦)4-5年级学生和教师、额外教育教师、音乐总监、音乐教师。在研究受访者对影响音乐和计算机技术在音乐教育中使用的因素的看法时,考虑了音乐教师的教育水平和教学经验。为了研究受访者对音乐教育数字化特征的体验和想法,编制了一份问卷,由“动机和能力”、“支持”、“物质和技术与数字环境”三个部分组成。Kruskal-Wallis检验被用作一种数学统计方法。后果狭义的数字能力最发达的是高等教育教师(63.7%的教师具有较高或高于平均水平)、学生(57.2%)、音乐教师(32.4%)和附加教育教师(19%),最不发达的是音乐导演(7.7%)。动机潜力在高等教育教师(90.9%的教师具有较高和高于平均水平)、学生(52.4%)、,音乐教师(37.8%)和附加教育教师(26.6%)。音乐计算机技术在教育过程中使用最集中的是具有3至20年经验的音乐教师(48.4%)。教育和机构对音乐教育数字化转型的支持主要集中在高等教育教师和音乐教师身上。对设备可用性的评估在大学中处于高水平(100%),在学校中处于平均水平(61.1%)。学前教育领域的赤字最大(低水平——15.4%,低于平均水平——84.6%)。科学新颖性。从音乐教师的教育水平和经验等因素入手,实证研究了音乐教育数字化转型的特点。实际意义。研究结果可用于制定高等教育学科的课程,以及为教师制定关于在教育过程中使用音乐计算机技术的额外专业培训课程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Perspektivy Nauki i Obrazovania
Perspektivy Nauki i Obrazovania Arts and Humanities-Philosophy
CiteScore
0.80
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162
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