Enabling Programmatic Data Mining as Musicking: The Fluid Corpus Manipulation Toolkit

IF 0.4 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Computer Music Journal Pub Date : 2021-06-01 DOI:10.1162/comj_a_00600

Pierre Alexandre Tremblay;Gerard Roma;Owen Green

引用次数: 3

Abstract

Abstract This article presents a new software toolbox to enable programmatic mining of sound banks for musicking and musicking-driven research. The toolbox is available for three popular creative coding environments currently used by “techno-fluent” musicians. The article describes the design rationale and functionality of the toolbox and its ecosystem, then the development methodology—several versions of the toolbox have been seeded to early adopters who have, in turn, contributed to the design. Examples of these early usages are presented, and we describe some observed musical affordances of the proposed approach to the exploration and manipulation of music corpora, as well as the main roadblocks encountered. We finally reflect on a few emerging themes for the next steps in building a community around critical programmatic mining of sound banks.

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将程序化数据挖掘作为音乐：流体语料库操作工具包

摘要本文提供了一个新的软件工具箱，用于音乐制作和音乐驱动研究的声音库的程序挖掘。该工具箱可用于三种流行的创意编码环境，目前“技术流利”的音乐家正在使用这些环境。这篇文章描述了工具箱及其生态系统的设计原理和功能，然后是开发方法——工具箱的几个版本已经被播种给了早期采用者，他们反过来又为设计做出了贡献。介绍了这些早期用法的例子，我们描述了所提出的探索和操纵音乐语料库的方法的一些观察到的音乐启示，以及遇到的主要障碍。最后，我们思考了一些新出现的主题，以供下一步围绕健全银行的关键计划挖掘建立社区。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Computer Music Journal 工程技术-计算机：跨学科应用

CiteScore

1.80

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： Computer Music Journal is published quarterly with an annual sound and video anthology containing curated music¹. For four decades, it has been the leading publication about computer music, concentrating fully on digital sound technology and all musical applications of computers. This makes it an essential resource for musicians, composers, scientists, engineers, computer enthusiasts, and anyone exploring the wonders of computer-generated sound. Edited by experts in the field and featuring an international advisory board of eminent computer musicians, issues typically include: In-depth articles on cutting-edge research and developments in technology, methods, and aesthetics of computer music Reports on products of interest, such as new audio and MIDI software and hardware Interviews with leading composers of computer music Announcements of and reports on conferences and courses in the United States and abroad Publication, event, and recording reviews Tutorials, letters, and editorials Numerous graphics, photographs, scores, algorithms, and other illustrations.