Square-jawed strength: Gender and resilience in the female astronaut film

IF 0.2 0 FILM, RADIO, TELEVISION
Lisa Purse
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引用次数: 0

Abstract

Abstract:This article studies a specific and relatively under-examined manifestation of the ‘strong female protagonist’ trope in sf – that of the female astronaut. From the late 1990s to the present this figure has proliferated in films like Event Horizon (1997), Mission to Mars (2000), Red Planet (2000), Supernova (2000), Sunshine (2007), Gravity (2013), Europa Report (2013), Interstellar (2014), Life (2017) and The Cloverfield Paradox (2018). Yet there are some striking consistencies of visual depiction that are sustained across the period, particularly in the close-ups that capture the female astronaut at work, and which also seek to express her strength and resilience. Drawing together detailed analysis of specific films and writing on gender in sf and on the face in cinema, I will explore why such a consistent visual treatment recurs in these space-set sf films, and the extent to which these fictional women remain marked by historically gendered ideas about strength, competence, bodily integrity and access to space technologies.
方下巴的力量:女宇航员电影中的性别和韧性
摘要:本文研究了科幻小说中“坚强的女主人公”比喻的一种具体表现形式——女宇航员。从20世纪90年代末到现在,这一数字在电影中激增,如《地平线事件》(1997)、《火星任务》(2000)、《红色星球》(2000。然而,在这一时期,视觉描绘有一些惊人的一致性,特别是在拍摄女宇航员工作的特写镜头中,这些特写镜头也试图表达她的力量和韧性。通过对特定电影的详细分析,以及科幻电影中关于性别和电影中的面部表情的写作,我将探讨为什么在这些以太空为背景的科幻电影中会出现如此一致的视觉处理,以及这些虚构的女性在多大程度上仍然被关于力量、能力、身体完整性和获得空间技术的历史性别观念所标记。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Science Fiction Film and Television
Science Fiction Film and Television FILM, RADIO, TELEVISION-
CiteScore
1.00
自引率
0.00%
发文量
31
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