Investigating the efficacy of interleaving materials in the preservation of plasticised PVC slip-cover notebooks in Yang Zhichao’s artwork Chinese Bible
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引用次数: 1
Abstract
Abstract Plasticised poly(vinyl chloride) (PVC-P) is known to degrade rapidly and emit acidic gases and, as such, it is ideally stored separately from other materials. However, due to historic or aesthetic value, PVC-P book covers in paper-based collections cannot always be removed or replaced. There is currently a gap in the literature addressing strategies for storing PVC-P associated with paper materials. Prompted by a case study of the Chinese artist Yang Zhichao’s Chinese Bible (2009)—a performance installation artwork of 3000 notebooks including approximately 1000 notebooks with PVC-P covers—three potential interleaving materials (Mylar®, Hollytex® and buffered tissue) were tested to simulate use during long-term storage. Notebooks and PVC-P book covers were purchased and assembled to model stacked storage conditions, and thermally aged at 70°C and 50% relative humidity for 130 days. Before and after ageing, samples were analysed using visual examination techniques, ATR-FTIR spectroscopy, colourimetry and weighing. It was found that all three interleaving materials lowered the probability of ink offsetting. However, cover deformation and a blotchy surface haze were more commonly observed in interleaved samples compared to non-interleaved samples. More research is necessary to identify a suitable strategy to manage PVC-P degradation in close contact storage with paper materials. This study contributes to a better understanding of the storage of plastic-covered books that may be found in libraries and archives, highlighting the complexity of conserving plastic and paper composite materials.
期刊介绍:
The Journal of the Institute of Conservation is the peer reviewed publication of the Institute of Conservation (Icon). As such, its aims reflect those of Icon, to advance knowledge and education in conservation and achieve the long term preservation and conservation of moveable and immoveable cultural heritage. The Journal provides a collective identity for conservators; it promotes and supports both the profession and professionalism. With international contributions on all aspects of conservation, it is an invaluable resource for the heritage sector. The specific aims of the Journal are to: 1. promote research, knowledge and understanding of cultural heritage conservation through its history, practice and theory 2. provide an international forum to enable and disseminate advances in research, knowledge and understanding relating to conservation and heritage 3. champion and support professional standards of heritage conservation in the UK and internationally 4. provide a permanent record of issues relating to conservation and heritage 5. be financially and operationally sustainable. To achieve these aims, the Journal invites contributions from all those involved in the conservation of cultural heritage and related activities. Areas of interest include understanding cultural heritage materials and their degradation; subject reviews and histories of cultural heritage materials and conservation treatments; new, innovative or improved approaches to conservation and collections care theory, practice, communication, management and training; case studies demonstrating new, innovative or improved approaches; and conservation in its wider context. Submitters are encouraged to demonstrate how their work is of practical application to conservation. To maintain professional standards and promote academic rigour, submissions of articles and shorter notices are subject to an anonymous peer review process.