When Does a Communication to the Public Under EU Copyright Law Need to Be to a ‘New Public’?

IF 0.8 4区 社会学 Q2 LAW
Eleonora Rosati
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引用次数: 2

Abstract

This article analyses CJEU case law on the notion of ‘new public’ in the context of the right of communication to the public in EU copyright law, with a focus on Article 3(1) of the InfoSoc Directive. It investigates its origin, use and development, as well as the justifications given for such use. By identifying for the first time four distinct groups of case law, the analysis shows how the role of the ‘new public’ has changed over time. If intended as a requirement, the ‘new public’ creates undue complexity in the reasoning of the CJEU in most instances. While others have suggested that the CJEU should disregard this notion altogether, this article proposes a less radical way for the CJEU to ‘escape’ the difficulties inherent to its own jurisprudence.
根据欧盟版权法,什么时候向公众传播需要向“新公众”传播?
本文分析了欧洲法院在欧盟版权法中对公众传播权背景下的“新公众”概念的判例法,重点是InfoSoc指令第3(1)条。它调查了它的起源、使用和发展,以及这种使用的理由。通过首次确定四组不同的判例法,分析显示了“新公众”的角色是如何随着时间的推移而变化的。如果作为一项要求,“新公众”在大多数情况下会使欧洲法院的推理过于复杂。虽然其他人建议欧洲法院应该完全无视这一概念,但本文为欧洲法院提出了一种不那么激进的方式来“逃避”其自身法理学固有的困难。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.10
自引率
10.00%
发文量
1
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