Recent Editorial policy for Building Acoustics: a first balance and future perspectives

IF 1.4 Q3 ACOUSTICS
F. Asdrubali
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引用次数: 0

Abstract

It was exactly three years ago – in March 2017 – when I wrote the Editorial “New challenges in Building Acoustics”, officially my first Editorial after having taken the position of Editor in Chief of the Journal at the end of 2016. It is a great honour to serve as Editor in Chief of such a “historical” international journal, being published since the early 90’s, the only one specifically devoted to acoustical aspects of buildings and for this reason I tried to do my best to improve the impact and visibility of Building Acoustics. Since then, the Journal has experienced a constant growth as far as submissions and has confirmed its reputation in the international context as the main publishing option for authors writing on building acoustics and related topics. I would like to thank SAGE, one of the most important publishing companies in the world, for the continuous and professional support and the whole Editorial Board of the Journal, which has been enriched in these years with new members from different countries. Building Acoustics can now count on 21 members: they are all recognized leading scientists, covering different geographic areas and all the research fields of building acoustics, including two Associate Editors, Micheal Kingan and Louena Shtrepi. In particular, Louena, who has just joined the Board, is a young and brilliant researcher in the field of room acoustics and I am sure that her contribution will be valuable. Some figures can be useful to understand the growth of the Journal. The submitted papers have passed from 33 of 2016 to 104 of 2019, with authors from more than 20 different countries. Every issue has been regularly published, while in previous years some issues were coupled because of a lack of papers. The number of “online first” papers, which are queuing before being published, has increased. The number of visits has increased of about 30% and the number of page views of about 20% in the period 2017-2019. The three most downloaded papers of all times belong to the same period. Various Special Issues have also characterized these recent years A first Special Issue was dedicated in 2018 to Soundscapes of buildings and built environments. The term soundscape has been defined by the ISO 12913 standard as “[the] acoustic environment as perceived or experienced and/or understood by a person or people, in context”. In recent years researchers and practitioners have shown an increasing interest for the assessment and management of both outdoor and indoor acoustic environment from a perceptual point of view. While much soundscape research has been conducted at a relatively large urban scale (e.g., urban parks, residential districts), the concept also applies to smaller contexts, such as streets, buildings or indoor public spaces. Submissions were related to soundscapes of indoor spaces, soundscape assessment and design for large buildings, acoustic comfort in public buildings (e.g., public libraries, museums, shopping malls, public transport stations), effects of buildings and building elements on indoor and outdoor 920959 BUA0010.1177/1351010X20920959 editorial2020
建筑声学的最新编辑政策:第一个平衡和未来的观点
就在三年前,也就是2017年3月,我写了一篇题为《建筑声学的新挑战》的社论,这是我在2016年底担任《建筑声学》总编辑后的第一篇社论。我非常荣幸能够担任这样一本“历史性”国际期刊的主编,该期刊自90年代初出版以来,是唯一一本专门致力于建筑声学方面的期刊,因此我尽我所能提高《建筑声学》的影响力和知名度。从那时起,该杂志的投稿量不断增长,并在国际范围内确认了其作为建筑声学和相关主题作者的主要出版选择的声誉。我要感谢SAGE,世界上最重要的出版公司之一,对《华尔街日报》的持续和专业支持,以及整个编辑委员会,这些年来,来自不同国家的新成员丰富了《华尔街日报》的编辑委员会。《建筑声学》现在有21名成员:他们都是公认的顶尖科学家,涵盖了不同的地理区域和建筑声学的所有研究领域,包括两位副编辑,michael Kingan和Louena Shtrepi。特别是刚刚加入董事会的Louena,她是室内声学领域的一位年轻而杰出的研究员,我相信她的贡献将是有价值的。一些数据可以帮助我们理解《华尔街日报》的成长。提交的论文从2016年的33篇增加到2019年的104篇,作者来自20多个不同的国家。每期都定期出版,而在前几年,由于缺乏论文,一些问题是耦合的。“在线优先”的论文,即在发表前排队的论文,数量有所增加。在2017-2019年期间,访问量增加了约30%,页面浏览量增加了约20%。下载次数最多的三篇论文都属于同一时期。近年来,各种特刊也很有特色,2018年的第一期特刊专门讨论了建筑和建筑环境的声景。ISO 12913标准将“声景”一词定义为“一个人或一群人在语境中感知、体验和/或理解的声环境”。近年来,研究人员和实践者对从感知角度评估和管理室内外声环境表现出越来越大的兴趣。虽然许多声景研究都是在相对较大的城市尺度上进行的(例如,城市公园,住宅区),但这个概念也适用于较小的环境,例如街道,建筑物或室内公共空间。提交的作品涉及室内空间的声景观、大型建筑的声景观评估和设计、公共建筑(如公共图书馆、博物馆、商场、公共交通车站)的声舒适性、建筑物和建筑元素对室内和室外的影响920959 bua0010.11777 / 1351010x20920959 editorial2020
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来源期刊
BUILDING ACOUSTICS
BUILDING ACOUSTICS ACOUSTICS-
CiteScore
4.10
自引率
11.80%
发文量
22
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