Atmosfera Rizaliana: Metonymic Journeys of Storm Tropes in José Rizal’s Writing on the Philippines

Q1 Arts and Humanities
Isa Lacuna
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引用次数: 3

Abstract

Stormy weather appears in recurrent instances across the literary and political oeuvre of José Rizal, a nineteenth-century figure who is one of the most significant and well-known personages in Philippine history. This paper analyzes the manner by which he describes storms in a few of his personal and political works, and observes that there is a deployment of metonymic logic that undergirds not only the texts, but a variety of other movements across the nineteenth-century cultural, technological, and political landscape. The metonymic logic of storm tropes are, in this sense, not only a productive literary modality in understanding weather representations during the Philippine fin de siècle, but also become illustrative of political and historical developments during the period. Based on this overarching logic, the paper articulates the possibility of understanding global climate and climate change as a series of interconnected and associated postcolonial and ecocritical experiences that are able to figure the world at large through an alternative expansion. This paper also investigates previous critiques that categorize the Rizaliana’s weather as romantic, and interrogates the assumptions that are deployed in such categorizations – and what they might mean for Philippine postcolonial ecocriticism and its climate imaginaries.
大气里扎利亚纳:乔斯•里扎尔《菲律宾游记》中风暴隐喻的转喻之旅
暴风雨天气在19世纪菲律宾历史上最重要、最知名的人物之一约瑟·里萨尔的文学和政治作品中反复出现。本文分析了他在一些个人和政治作品中描述风暴的方式,并观察到转喻逻辑的运用不仅支撑了文本,而且支撑了19世纪文化、技术和政治领域的各种其他运动。从这个意义上讲,风暴比喻的转喻逻辑不仅是理解菲律宾末期天气表现的一种富有成效的文学形式,而且还成为该时期政治和历史发展的例证。基于这一总体逻辑,本文阐明了将全球气候和气候变化理解为一系列相互联系和相关的后殖民和生态批评经验的可能性,这些经验能够通过另一种扩展来描绘整个世界。本文还调查了先前将里扎利亚纳的天气归类为浪漫的批评,并询问了在这种分类中部署的假设-以及它们对菲律宾后殖民生态批评及其气候想象的意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
eTropic
eTropic Arts and Humanities-Literature and Literary Theory
CiteScore
2.00
自引率
0.00%
发文量
27
审稿时长
12 weeks
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