Material Atmospheres: Theorising Recent Shifts in Interior Visualisation

Q1 Arts and Humanities
Interiority Pub Date : 2019-01-30 DOI:10.7454/IN.V2I1.54
Gregory Marinic
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引用次数: 0

Abstract

Much like Walter Benjamin's analysis of the Parisian arcades during the interwar years of the early 20th century, emerging methods of seeing interior spaces reveal a deeper gaze into the contextual, material, and phenomenological conditions that produce more nuanced visions of interiority. A collective consciousness surrounding these constructed narratives is reflected in charged associations with the most salient imperatives of our time—globalisation, resource depletion, ecological degradation, and political instability—as well as their corresponding effects on the built environment. These visual provocations have incrementally percolated up to embody an expanding field of design activism for educators, theorists, practitioners, and students. How do these avant-garde techniques operate?  What do they reveal about socio-political, economic, and consumptive forces shaping the global built environment?  How do these speculative methods offer more critical ways to communicate dynamic conditions? 
材料氛围:理论化室内可视化的最新转变
就像Walter Benjamin在20世纪初两次世界大战期间对巴黎拱廊的分析一样,新兴的观察室内空间的方法揭示了对环境、材料和现象学条件的更深入的关注,从而产生了更细致的室内视觉。围绕这些建构叙事的集体意识反映在与我们这个时代最突出的当务之急——全球化、资源枯竭、生态退化和政治不稳定——以及它们对建筑环境的相应影响——的强烈联系中。这些视觉挑衅逐渐渗透到教育工作者、理论家、实践者和学生中,体现了一个不断扩大的设计活动领域。这些前卫的技术是如何运作的?它们揭示了塑造全球建筑环境的社会政治、经济和消费力量的什么?这些推测性方法如何提供更关键的方式来交流动态条件?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Interiority
Interiority Arts and Humanities-Visual Arts and Performing Arts
CiteScore
2.10
自引率
0.00%
发文量
16
审稿时长
10 weeks
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