Time After Time

IF 0.2 4区社会学 N/A HUMANITIES, MULTIDISCIPLINARY

ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES Pub Date : 2022-09-03 DOI:10.1080/0969725X.2022.2110398

Philip Dickinson

引用次数: 0

Abstract

Abstract This essay explores South African artist William Kentridge’s multimedia installation The Refusal of Time, first exhibited at documenta (13) in 2012. In the material surrounding this installation, Kentridge and Peter Galison interrogate the history of time’s material invention as a European system of imperial domination, one that gathered the planet itself into a homogeneous regime of sense. The installation explores the manifold workings of this systematised time in a dizzying array of arenas (colonialism, labour, industry, cinema, dance, quantum physics). Time emerges materially via rhythmic inter- and intra-actions mediated by power, but the installation also draws on a history of anticolonial revolt against time and formally de-naturalises time, releasing heterochronic energies and disrupting habituated experiences of time’s homogeneous neutrality. Via readings of Kentridge, Jacques Rancière, Pheng Cheah, and the contemporary politics of time, I approach a mode of heterochronic thought (encompassing theory, art, and politics) that insists upon time as potentialising force.

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一次又一次

摘要本文探讨了南非艺术家威廉·肯里奇的多媒体装置作品《时间的拒绝》，该作品于2012年在documenta（13）首次展出。在围绕这个装置的材料中，Kentridge和Peter Galison质疑了作为欧洲帝国统治体系的时间物质发明的历史，这一体系将地球本身聚集成一个同质的意义体系。该装置在一系列令人眼花缭乱的领域（殖民主义、劳工、工业、电影、舞蹈、量子物理学）探索了这个系统化时代的多种运作方式。时间通过权力介导的有节奏的内部和内部行动在物质上出现，但装置也借鉴了反殖民反抗时间的历史，并将时间正式去自然化，释放了异时能量，破坏了时间同质中立的习惯体验。通过阅读Kentridge、Jacques Rancière、Pheng Cheah和当代时间政治，我接近了一种异时思维模式（包括理论、艺术和政治），它坚持时间是潜在的力量。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.60

自引率

33.30%

发文量

期刊介绍： Angelaki: journal of the theoretical humanities was established in September 1993 to provide an international forum for vanguard work in the theoretical humanities. In itself a contentious category, "theoretical humanities" represents the productive nexus of work in the disciplinary fields of literary criticism and theory, philosophy, and cultural studies. The journal is dedicated to the refreshing of intellectual coordinates, and to the challenging and vivifying process of re-thinking. Angelaki: journal of the theoretical humanities encourages a critical engagement with theory in terms of disciplinary development and intellectual and political usefulness, the inquiry into and articulation of culture.

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