The pleasure of everything beautiful: Arthur Schopenhauer’s concept of genius and the art of the avant-garde

IF 0.3 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Alicja Rybkowska
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引用次数: 0

Abstract

a chain to which we belong, and we are again abandoned to our woe. Most men are at standpoint, objectivity, i.e. be knowledge the will. most beautiful surroundings have them a desolate, dark, strange, and hostile appearance.
一切美好的快乐:叔本华的天才观与先锋派艺术
一条我们所属的链条,我们又一次被遗弃在我们的苦难中。大多数人都是站在立场上的,客观的,即是知识的意志。最美丽的环境使他们看起来荒凉、黑暗、陌生、充满敌意。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
46
期刊介绍: Nineteenth-Century Contexts is committed to interdisciplinary recuperations of “new” nineteenth centuries and their relation to contemporary geopolitical developments. The journal challenges traditional modes of categorizing the nineteenth century by forging innovative contextualizations across a wide spectrum of nineteenth century experience and the critical disciplines that examine it. Articles not only integrate theories and methods of various fields of inquiry — art, history, musicology, anthropology, literary criticism, religious studies, social history, economics, popular culture studies, and the history of science, among others.
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