[Dream] Images of Earth in Quarantine – Some Photographs in Times of Crisis without Humans

IF 0.2 4区 艺术学 N/A ART
Marie-Luise Kesting
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引用次数: 2

Abstract

Abstract This essay considers human and nonhuman well-being, looking through a culturally-engaged visual analysis of three different groups of photographic images depicting planet earth seemingly in quarantine that were shared widely on social media during the lockdown imposed in many countries due to the Corona pandemic and that seemed to be in a (subconscious) dialogue with each other. They consist of 1. empty city spaces, 2. the proclaimed return of ‘wildlife’ (e.g., the fake images of dolphins in Venetian canals), and 3. satellite images of improved air and water quality. Drawing on Walter Benjamin’s Short History of Photography and Eugène Atget’s works in comparison to current photographs, it examines why certain images proliferate and what type of narratives, for example, of ‘healing’ the environmental crisis, they may propose.
【梦想】隔离中的地球图片——没有人类的危机时期的一些照片
摘要这篇文章考虑了人类和非人类的福祉,通过对三组不同的照片进行文化参与的视觉分析,这些照片描绘了地球似乎处于隔离状态,在许多国家因新冠疫情而实施封锁期间,这些照片在社交媒体上被广泛分享,似乎是在(潜意识)相互对话。它们由1。空置的城市空间,2。宣布“野生动物”回归(例如威尼斯运河中海豚的假照片),以及3。空气和水质改善的卫星图像。它借鉴了沃尔特·本杰明的《摄影简史》和尤金·阿特杰的作品,并与当前的照片进行了比较,研究了为什么某些图像会激增,以及他们可能提出的“治愈”环境危机的叙事类型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
33.30%
发文量
22
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