Genealogi dan Strategi Dakwah Kultural NU

Afidatul Asmar
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引用次数: 4

Abstract

Since Nahdlatul Ulama scholars have been preaching Islamic knowledge using language and the social culture of their audience, the message of preachings (da‘wah) is easily absorbed by the audience. Such Islamic da‘wah is recognised as a cultural Islamic da‘wah, making Islam accommodative to the local culture without reducing any of the values of Islamic principles; and challenging the radical Islamic discourse strongly emerg-ing in post-reformasi Indonesia. This article would revisit the concept of cultural Islamic da‘wah developed by Nahdlatul Ulama scholars, by tracing the strong chains of its genealogies, then exploring the strategies conducted in line with the dream of displaying a “soft” face of Islam in Indonesia. As a result, this article argues that the cultural Islamic da‘wah of Nahdlatul Ulama scholars is inspired by, even adopts to, that of  Walisongo in the 15th and 16th centuries Indonesia. Its aim is to make shar?‘ah applicated substantively, other than normatively, by the society, through a strategy of cultural approaches, rather than structural ones.
由于Nahdlatul Ulama学者一直在使用语言和受众的社会文化来传播伊斯兰知识,因此说教的信息(da'wah)很容易被受众吸收。这种伊斯兰da'wah被公认为文化伊斯兰da'wa,使伊斯兰教适应当地文化,而不降低伊斯兰原则的任何价值观;以及挑战改革后印尼强烈涌现的激进伊斯兰话语。本文将重新审视Nahdlatul Ulama学者提出的文化伊斯兰da'wah的概念,通过追溯其家谱的强大链条,然后探索在印度尼西亚展示伊斯兰“柔软”面孔的梦想所采取的策略。因此,本文认为,Nahdlatul Ulama学者的伊斯兰文化da'wah受到了15世纪和16世纪印尼莫里森的启发,甚至被采纳。它的目的是让sharah通过文化方法而非结构方法的策略,由社会进行实质性而非规范性的应用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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