La ciudad guetoizada: Buenos Aires en la narrativa de Ana María Shua

Q3 Arts and Humanities
Agata Draus-Kłobucka
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引用次数: 0

Abstract

The article analyzes the image of Buenos Aires in the narrative of Ana María Shua, an Argentine writer of Polish Jewish descent. Urban space plays an important role in her prose described often as apocalyptic or dystopian. Through a historiographical metafiction, the author rewrites the memory of the ancestors in El libro de los recuerdos (2007), a novel that presents the life of Jewish immigrants in the capital of Argentina, divided into neighborhoods marked by their ethnicity. Eroticism and the use of the female body are, on the other hand, the topics that dominate in the author’s collection of micro-stories titled Casa de geishas (2009), where the brothel is described as a singular ghetto, rooted in the city panorama. Finally, the novel La muerte como efecto secundario offers a dystopic description of a future of a ghettoized city, where compulsory geriatric ghettos become a reality. The article, based on the analysis of the aforementioned works, presents a critical look at the use of the concept of “ghetto” or “urban island” in the construction of the narrative structure and space in Ana María Shua’s fiction.
本文分析了波兰犹太裔阿根廷作家安娜María舒亚叙事中的布宜诺斯艾利斯形象。城市空间在她的散文中扮演着重要的角色,这些散文通常被描述为世界末日或反乌托邦。作者通过历史编纂的元小说,在《后来人》(El libro de los recuerdos, 2007)中改写了对祖先的记忆,这部小说呈现了阿根廷首都犹太移民的生活,他们被划分为以种族为标志的社区。另一方面,色情和女性身体的使用是作者的微故事集《艺妓之家》(2009)的主要主题,其中妓院被描述为一个独特的贫民窟,植根于城市全景。最后,小说La muerte como effects to secundario提供了一个反乌托邦的描述,一个未来的贫民窟城市,强制性的老年人贫民窟成为现实。本文在分析上述作品的基础上,对安娜María舒亚小说叙事结构和空间建构中“贫民窟”或“城市岛”概念的运用进行了批判性的审视。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Studia Romanica Posnaniensia
Studia Romanica Posnaniensia Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
17
审稿时长
24 weeks
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