{"title":"Representations of Non-Resident Indians from the Gulf in Online Comedy Videos","authors":"Nele Lenze","doi":"10.1163/18739865-01401004","DOIUrl":null,"url":null,"abstract":"\n Longstanding connections between Indian residents and traders and the Gulf are not only featured in multiple Arab and Indian films but also in online media. Social media practices serve as tools to express and communicate identity through video and visual images. Self-representation of first- and second-generation Gulf migrants from Kerala finds its way into memes, GIF s and videos. On YouTube, comedic (self-) representation of Malayalis is introduced in a variety of genres, produced both in the United Arab Emirates and India. Although life in the Gulf is displayed from the perspective of more fortunate migrants, whose economic circumstances are often more secure than those of Indians in Kerela, these YouTube stories also depict alienation and their newfound identities as Indians from the Gulf. Ahmad Al Kaashekh’s Instagram and YouTube representations serve as one example of a comedic approach to claiming a Malayali identity in the Gulf. Through video analysis and interviews, I analyze notions of identity representation as well as the role of humor in the sources.","PeriodicalId":43171,"journal":{"name":"Middle East Journal of Culture and Communication","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2021-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Middle East Journal of Culture and Communication","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18739865-01401004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 1
Abstract
Longstanding connections between Indian residents and traders and the Gulf are not only featured in multiple Arab and Indian films but also in online media. Social media practices serve as tools to express and communicate identity through video and visual images. Self-representation of first- and second-generation Gulf migrants from Kerala finds its way into memes, GIF s and videos. On YouTube, comedic (self-) representation of Malayalis is introduced in a variety of genres, produced both in the United Arab Emirates and India. Although life in the Gulf is displayed from the perspective of more fortunate migrants, whose economic circumstances are often more secure than those of Indians in Kerela, these YouTube stories also depict alienation and their newfound identities as Indians from the Gulf. Ahmad Al Kaashekh’s Instagram and YouTube representations serve as one example of a comedic approach to claiming a Malayali identity in the Gulf. Through video analysis and interviews, I analyze notions of identity representation as well as the role of humor in the sources.
期刊介绍:
The Middle East Journal of Culture and Communication provides a transcultural academic sphere that engages Middle Eastern and Western scholars in a critical dialogue about culture, communication and politics in the Middle East. It also provides a forum for debate on the region’s encounters with modernity and the ways in which this is reshaping people’s everyday experiences. MEJCC’s long-term objective is to provide a vehicle for developing the field of study into communication and culture in the Middle East. The Journal encourages work that reconceptualizes dominant paradigms and theories of communication to take into account local cultural particularities.