"Moors Must Not Be Taken for Black": Race, Conflict, and Cultural Translation in the Early Modern French Mediterranean

Brian Sandberg
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Abstract

abstract:French actors mediated North African cultures and shaped French perceptions of others in the Mediterranean world during the late sixteenth and early seventeenth centuries. Francophone intermediaries experienced predominantly Muslim cultures as consuls, diplomats, military officers, naval captains, merchants, travelers, and prisoners in North Africa and across the Mediterranean during this period. This article reconsiders issues of race and conflict in the early modern Mediterranean by globalizing Francophone sources on the figure of the "Moor" and the conceptual space of the "Barbary Coast" in the late sixteenth and early seventeenth centuries. After introducing French cultural intermediaries in the Mediterranean, the article analyzes their depictions of North Africans through conflict narratives, geographic works, and ethnographic descriptions. New evidence of racial distinctions in the early modern French Mediterranean suggests that conflict reshaped French understandings of Muslims and produced racialized conceptions of "Moors." This finding supports recent historical interpretations of race as a category of differentiation already articulated and operative in the early modern world.
“不能把摩尔人当成黑人”:近代早期法属地中海地区的种族、冲突与文化翻译
在16世纪末和17世纪初,法国演员扮演了北非文化的中介角色,并塑造了法国人对地中海世界其他人的看法。在此期间,以法语为母语的中间人在北非和地中海地区担任领事、外交官、军官、海军船长、商人、旅行者和囚犯,主要经历了穆斯林文化。本文通过将16世纪末和17世纪初“摩尔人”的形象和“巴巴里海岸”的概念空间的法语来源全球化,重新考虑了现代早期地中海的种族和冲突问题。在介绍了地中海地区的法国文化中介之后,本文通过冲突叙事、地理作品和民族志描述分析了他们对北非人的描述。近代早期法属地中海地区种族差异的新证据表明,冲突重塑了法国人对穆斯林的理解,并产生了“摩尔人”的种族化概念。这一发现支持了最近对种族的历史解释,种族是一种在早期现代世界中已经明确和有效的分化类别。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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