Giuseppe Agulli, N. Proença, M. Revez, Marta Raposo
{"title":"Retouching the wall paintings of the Nossa Senhora da Piedade Hermitage, Loulé: technical choices","authors":"Giuseppe Agulli, N. Proença, M. Revez, Marta Raposo","doi":"10.14568/cp2021016","DOIUrl":null,"url":null,"abstract":"Given its impact on the perception of observers, the reintegration of lacunae in works of pictorial art is one of the most delicate and debated conservation-restoration actions. This text describes the methodology that guided the technical choices regarding the chromatic reintegration of the lacunae and the protective finishing of the mural surfaces in the Nossa Senhora da Piedade (Our Lady of Mercy) Hermitage, in Loulé. Additional reference is made to the way in which those choices/methodology articulated the symbolic and religious values of the hermitage paintings with the ethical and deontological principles of conservation-restoration. Although the type of intervention and its final outcome should always be discussed with the stakeholders, and eventual consultants, technical choices will necessarily be made by the conservator-restorer, who must therefore have training, experience and sensitivity adequate to the critical analysis required by this type of decision making.","PeriodicalId":55942,"journal":{"name":"Conservar Patrimonio","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2022-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Conservar Patrimonio","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14568/cp2021016","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
Given its impact on the perception of observers, the reintegration of lacunae in works of pictorial art is one of the most delicate and debated conservation-restoration actions. This text describes the methodology that guided the technical choices regarding the chromatic reintegration of the lacunae and the protective finishing of the mural surfaces in the Nossa Senhora da Piedade (Our Lady of Mercy) Hermitage, in Loulé. Additional reference is made to the way in which those choices/methodology articulated the symbolic and religious values of the hermitage paintings with the ethical and deontological principles of conservation-restoration. Although the type of intervention and its final outcome should always be discussed with the stakeholders, and eventual consultants, technical choices will necessarily be made by the conservator-restorer, who must therefore have training, experience and sensitivity adequate to the critical analysis required by this type of decision making.
鉴于其对观察者感知的影响,绘画艺术作品中空隙的重新整合是最微妙和最具争议的保护修复行动之一。这篇文章描述了在卢勒维尔的Nossa Senhora da Piedade(仁慈的圣母)修道院,指导关于空间的色彩整合和壁画表面的保护性整理的技术选择的方法。另外还提到了这些选择/方法是如何将隐居画的象征和宗教价值与保护修复的伦理和道义原则结合起来的。虽然干预的类型及其最终结果应始终与利益攸关者和最终的顾问讨论,但技术选择必须由修复者和修复者作出,因此他们必须受过训练、经验和敏感,足以进行这种类型的决策所需的批判性分析。
期刊介绍:
Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.