Sashiko Needlework Reborn: From Functional Technology to Decorative Art

IF 0.4 Q3 AREA STUDIES
Carol Hayes
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引用次数: 5

Abstract

ABSTRACT The term ‘sashiko’ refers to a quilting stitch used to sew together layers of material. The stitch itself is a simple running stitch, with the beauty created by complex interlocking stitching patterns. In Japan there is a long-standing tradition of layering and re-stitching material to create a thicker, warmer more durable garment. This was particularly true in the poorer regions of Tohoku during the Edo and early Meiji period where the lower classes used this stitching to create and decorate garments made out of homespun hemp and other plant fibres. After first contextualising the sashiko tradition, both in terms of its Edo origins and decreasing popularity in late Meiji, this paper focuses on the contemporary rebirth of sashiko as a form of decorative embroidery, and increasingly as a pure art form. In discussing the rekindled interest in this form of stitching, in both the contemporary quilting world and in the context of the global revival of traditional handicrafts, the paper concludes with reference to the work of contemporary sashiko artists and also to the use of sashiko garments in the final film made by the great director, Akira Kurosawa, Yume.
佐彦针线活的重生:从功能技术到装饰艺术
“sashiko”一词是指用于将材料层缝在一起的绗缝针。针本身是一个简单的流动针,与美丽创造了复杂的联锁缝合模式。在日本,有一个悠久的传统,就是把面料分层再拼接,制成更厚、更暖和、更耐穿的衣服。在江户时代和明治早期的东北贫困地区尤其如此,那里的下层阶级使用这种缝纫方法来制作和装饰用自制的大麻和其他植物纤维制成的服装。本文首先从江户起源和明治后期流行程度的下降两方面对佐子传统进行了背景分析,然后将重点放在佐子作为一种装饰刺绣形式的当代重生,以及越来越多的纯艺术形式。为了讨论在当代绗缝界和全球传统手工艺品复兴的背景下对这种缝合形式重新燃起的兴趣,本文以当代sashiko艺术家的作品以及伟大导演黑泽明(Akira Kurosawa, Yume)制作的最后一部电影中sashiko服装的使用作为结论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Japanese Studies
Japanese Studies AREA STUDIES-
CiteScore
0.90
自引率
20.00%
发文量
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