Ambiguity and the Representation of an Authority. A Heraldic Image of Laurentius Michaelis Suurpää, the Bishop of Turku?

IF 0.1 0 ART
M. Hiekkanen
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Abstract

The starting point for this article, which is dedicated to Kaur Alttoa, my friend since the late 1980s, is a photo of the choir window of the Tyrvää Church (Fig. 3). On the window arch besides a modified chevron ornament, we can see two images in red ochre. On the left, there is a cross with a six-pointed star beneath it. On the right, we can see a head of a human being, probably – at least in my opinion – a man, with long, curly hair pushing out from under the rim of a headdress or something that resembles one. The imagery is about as simple as it can get. Tyrvää is one of the parishes of Satakunta in the medieval Diocese of Turku or present-day Finland (Fig. 2). It had been part of the parish of Sastamala since the first half of the 13th century, but was established as a partially independent chapelric or chapel congregation, around 1400. A wooden church was built on a small island on the same spot where the stone church that still exists was later built during the summers between 1506 and 1516.
模棱两可与权威的表现。图尔库主教劳伦斯·米切利斯的纹章肖像Suurpää ?
这篇文章的起点是Tyrvää教堂唱诗班窗户的照片(图3),献给我自20世纪80年代末以来的朋友Kaur Alttoa。在拱门上,除了一个修改过的人字形装饰外,我们还可以看到两个红赭色的图像。在左边,有一个十字架,十字架下有一颗六角星。在右边,我们可以看到一个人的头,很可能——至少在我看来——是一个男人,从头饰或类似头饰的东西的边缘下推出长长的卷发。图像是最简单的。Tyrvää是中世纪图尔库教区或今天的芬兰萨塔昆塔的一个教区(图2)。自13世纪上半叶以来,它一直是萨斯塔马拉教区的一部分,但在1400年左右,它被建立为一个部分独立的小教堂或小教堂会众。一座木制教堂建在一个小岛上,就在后来1506年至1516年夏天建造的石头教堂所在的地方。
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来源期刊
CiteScore
0.20
自引率
0.00%
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0
期刊介绍: THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.
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