Science Fiction at the Natural History Museum

IF 0.3 4区 文学 Q3 HISTORY & PHILOSOPHY OF SCIENCE
M. Carnall
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引用次数: 0

Abstract

ABSTRACT:This paper explores the “science fictions” encapsulated in natural history museums through an exploration of select examples at Oxford University Museum of Natural History. In this context, the scaffold of historical myths, half-truths, and assumptions behind facts presented in natural history museums as well as epistemological holes papered over when presenting complex information succinctly in museum interpretation are considered science fictions. The science fictions that surround the Oxford dodo, the Museum’s statues of scientist luminaries, and the whale skeletons and fluid-preserved cephalopod specimens on display are examined. Behind the contemporary authoritative interpretation of each of these are stories of mythological creatures, imagined histories, deeply subjective assumptions, pseudo-science, and informed speculation. Lastly, a speculative look is taken at the science fictions of today that are undoubtedly being incorporated into new displays at the museum, currently in development.
自然历史博物馆的科幻小说
摘要:本文通过牛津大学自然历史博物馆的精选实例,探讨了自然历史博物馆中的“科幻小说”。在这种背景下,自然历史博物馆中呈现的历史神话、半真半假和事实背后的假设的支架,以及在博物馆解释中简洁地呈现复杂信息时掩盖的认识论漏洞,都被视为科幻小说。对围绕牛津渡渡鸟的科幻小说、博物馆的科学家名人雕像、展出的鲸鱼骨架和保存完好的头足类动物标本进行了检查。在当代权威对每一种解释的背后,都是神话生物的故事、想象中的历史、深刻的主观假设、伪科学和知情的猜测。最后,我们对当今的科幻小说进行了推测,这些科幻小说无疑正被纳入博物馆目前正在开发的新展览中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Configurations
Configurations Arts and Humanities-Literature and Literary Theory
CiteScore
0.50
自引率
0.00%
发文量
33
期刊介绍: Configurations explores the relations of literature and the arts to the sciences and technology. Founded in 1993, the journal continues to set the stage for transdisciplinary research concerning the interplay between science, technology, and the arts. Configurations is the official publication of the Society for Literature, Science, and the Arts (SLSA).
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